1611 - 1675. Known for: Church interior, portrait painting.
Hendrick Cornelisz van Vliet was admitted to the guild of Delft in 1632. After beginning as a portraitist, he specialized in painting the interiors of churches from 1651, a genre then very popular in...
Read full biography Hendrick Cornelisz van Vliet was admitted to the guild of Delft in 1632. After beginning as a portraitist, he specialized in painting the interiors of churches from 1651, a genre then very popular in Holland and that also illustrated his contemporaries Pieter Saenredam, Gerrit Houckgeest and...
Read full biography Hendrick Cornelisz van Vliet was admitted to the guild of Delft in 1632. After beginning as a portraitist, he specialized in painting the interiors of churches from 1651, a genre then very popular in Holland and that also illustrated his contemporaries Pieter Saenredam, Gerrit Houckgeest and Emmanuel de Witte. Our painter often mistaken for the old model (Oude) and the new (Nieuwe) Church in Delft, his hometown, he always depicted with an architectural perspective and framing complex....
Read full biography Hendrick Cornelisz van Vliet was admitted to the guild of Delft in 1632. After beginning as a portraitist, he specialized in painting the interiors of churches from 1651, a genre then very popular in Holland and that also illustrated his contemporaries Pieter Saenredam, Gerrit Houckgeest and Emmanuel de Witte. Our painter often mistaken for the old model (Oude) and the new (Nieuwe) Church in Delft, his hometown, he always depicted with an architectural perspective and framing complex.
Hendrick Cornelisz van Vliet was admitted to the guild of Delft in 1632. After beginning as a portraitist, he specialized in painting the interiors of churches from 1651, a genre then very popular in Holland and that also illustrated his contemporaries Pieter Saenredam, Gerrit Houckgeest and Emmanuel de Witte. Our painter often mistaken for the old model (Oude) and the new (Nieuwe) Church in Delft, his hometown, he always depicted with an architectural perspective and framing complex.