The beautiful and experiential installations of Teresita Fernández allude to landscapes — historical, geological, internal, all in a heady mix. Her “Island Universe,” for example, a stunning... Read full biography
The beautiful and experiential installations of Teresita Fernández allude to landscapes — historical, geological, internal, all in a heady mix. Her “Island Universe,” for example, a stunning wall-sized mosaic composed of smokey chunks of charcoal at the Ford Foundation in New York, renders the... Read full biography
The beautiful and experiential installations of Teresita Fernández allude to landscapes — historical, geological, internal, all in a heady mix. Her “Island Universe,” for example, a stunning wall-sized mosaic composed of smokey chunks of charcoal at the Ford Foundation in New York, renders the seven continents as a horizontal daisy-chain of land masses. It suggests the ancient footpath of humankind, a time long before nations and borders. “The history of land formation is also the history of... Read full biography
The beautiful and experiential installations of Teresita Fernández allude to landscapes — historical, geological, internal, all in a heady mix. Her “Island Universe,” for example, a stunning wall-sized mosaic composed of smokey chunks of charcoal at the Ford Foundation in New York, renders the seven continents as a horizontal daisy-chain of land masses. It suggests the ancient footpath of humankind, a time long before nations and borders. “The history of land formation is also the history of migration,” said Ms. Fernández, 51, at her studio in Brooklyn, where the Miami-born, MacArthur award-winning artist has been based since 1998. Her work and career are now being celebrated in her first comprehensive survey exhibition at the Pérez Art... Read full biography
The beautiful and experiential installations of Teresita Fernández allude to landscapes — historical, geological, internal, all in a heady mix. Her “Island Universe,” for example, a stunning wall-sized mosaic composed of smokey chunks of charcoal at the Ford Foundation in New York, renders the seven continents as a horizontal daisy-chain of land masses. It suggests the ancient footpath of humankind, a time long before nations and borders. “The history of land formation is also the history of migration,” said Ms. Fernández, 51, at her studio in Brooklyn, where the Miami-born, MacArthur award-winning artist has been based since 1998. Her work and career are now being celebrated in her first comprehensive survey exhibition at the Pérez Art Museum Miami. “Island Universe” was inspired by R. Buckminster Fuller’s “Dymaxion Map” that peeled the globe like an orange, she explained,... Read full biography
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