Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk
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Pietro Antonio III Novelli SIMILAR ARTISTS
1729 - 1804. Known for: Drawings.
Pietro Antonio III Novelli was trained in Venice in the mid-eighteenth century, likely under Jacopo Amigoni. He was influenced by artists such as Pellegrini, Piazzetta, and Diziani. Novelli attended... Read full biography
Pietro Antonio III Novelli was trained in Venice in the mid-eighteenth century, likely under Jacopo Amigoni. He was influenced by artists such as Pellegrini, Piazzetta, and Diziani. Novelli attended the local Academy of Painting and gained fame when Catherine II of Russia commissioned him to paint... Read full biography
Pietro Antonio III Novelli was trained in Venice in the mid-eighteenth century, likely under Jacopo Amigoni. He was influenced by artists such as Pellegrini, Piazzetta, and Diziani. Novelli attended the local Academy of Painting and gained fame when Catherine II of Russia commissioned him to paint "The Aeneas’ Family" in 1772. He later spent time in Bologna and Rome, where he was inspired by the works of Raphael and Michelangelo. Novelli's style evolved towards a more sober and geometrizing... Read full biography
Pietro Antonio III Novelli was trained in Venice in the mid-eighteenth century, likely under Jacopo Amigoni. He was influenced by artists such as Pellegrini, Piazzetta, and Diziani. Novelli attended the local Academy of Painting and gained fame when Catherine II of Russia commissioned him to paint "The Aeneas’ Family" in 1772. He later spent time in Bologna and Rome, where he was inspired by the works of Raphael and Michelangelo. Novelli's style evolved towards a more sober and geometrizing approach in the Neoclassical climate. He returned to Venice later in life, focusing on ecclesiastical commissions and decorating noble palaces in the region.
Pietro Antonio III Novelli was trained in Venice in the mid-eighteenth century, likely under Jacopo Amigoni. He was influenced by artists such as Pellegrini, Piazzetta, and Diziani. Novelli attended the local Academy of Painting and gained fame when Catherine II of Russia commissioned him to paint "The Aeneas’ Family" in 1772. He later spent time in Bologna and Rome, where he was inspired by the works of Raphael and Michelangelo. Novelli's style evolved towards a more sober and geometrizing approach in the Neoclassical climate. He returned to Venice later in life, focusing on ecclesiastical commissions and decorating noble palaces in the region.
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Slide 1 of 3: Neptune, Standing, Facing Left, A Dolphin at His Feet
Neptune, Standing, Facing Left, A Dolphin at His Feet
Pietro Antonio III NovelliNeptune, Standing, Facing Left, A Dolphin at His Feet
Pietro Antonio III Novelli
Un apôtre debout
Pietro Antonio III Novelli
MERCURY LEADS PSYCHE TO MOUNT OLYMPUS
Pietro Antonio III NovelliArtists Similar to Pietro Antonio III Novelli (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. 1627 - 1703
Allegorical drawing, painting, printmaking, design
Italy, Spain. 1696 - 1770
Rococo painting, frescos, altarpieces, printmaking
Italy. 1611 - 1689
Church fresco, religious figure painting and drawing
Italy. 1674 - 1755
First 'professional' caricaturist, landscape and religious painting, frescoes, engraving
Italy. 1762 - 1844
Genre drawings and landscapes, decorative fresco painting, scenography
Italy. 1591 - 1666
Figure, allegorical painting, fresco
Italy. 1503 - 1540
Mannerist portrait, figure, nude, religious themes, printmaking
Italy. 1610 - 1664
Graphics, landscapes, genre and battle scene painting, drawings, design, etching
Italy, Russian Federation. 1707 - 1769
Religious and allegorical painting, small scale devotional pictures, engraving,drawing
France. 1590 - 1630
Male portrait chalk drawings, bearded men, caricatures
Italy. 1671 - 1749
Portrait, figure and landscape painting, monchrome drawings, frescos, decoration
Italy. 1728 - 1781
Mythology figure painting, frescoes, drawing, palace decoration, teaching
Italy. 1615 - 1673
Romantic landscape and baroque religious scene painting, printmaking
Italy. 1689 - 1767
Venetian painting, loose brushwork, processing of antique elements, expressive works
Italy, Switzerland. 1612 - 1666
Baroque religious figure, genre and portrait painting
Italy. 1734 - 1802
Religious, history, and allegory painting, fresco, etching, sculpture, teaching
Italy. 1764 - 1835
Venetian scene painting
Italy. 1625 - 1713
Religious genre, portrait and figure painting, frescoes
France, Italy. 1700 - 1777
Rococo painting, drawing, teaching, portrait and figure
Italy, Spain. 1527 - 1585
Mannerist style Christian religious and mythology figure painting
Italy. 1758 - 1823
Neoclassical style
Italy. 1592/1601 - 1668
Illusory rendering of space and depth in painting and frescoes
Italy. c. 1548 - 1628
Portrait, figure, religious, allegorical paintings
Italy. 1772 - 1850
History and military scene painting, etching, drawing
France. 1686 - 1755
Figure, genre, landscape and allegorical painting, tapestry design
Italy. 1654 - 1714
Painting
Italy. 1500 - 1547
Painting
Italy. 1609/16 - 1664/70
Religious, allegorical, figure, genre painting
Italy. 1646 - 1707
Black chalk, pen and brown ink studies
Italy. 1606 - 1680
History, portrait and landscape paintings, pen and ink drawing, architecture
Holland, Netherlands. 1566 - 1651
Mannerist style figure painting, etching, engraving, teaching