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Jennifer Losch Bartlett ART WANTED
1941 Long Beach, California - 2022 Amagansett, New York. Known for: Modernist views-objects, grid images, conceptual painting.
Known for painted images that appear to move back and forth in a progressive way, Jennifer Bartlett conveys a sense of computer systems operating behind the visual movement of her work, which is both... Read full biography
Known for painted images that appear to move back and forth in a progressive way, Jennifer Bartlett conveys a sense of computer systems operating behind the visual movement of her work, which is both abstract and realistic. Her career as a Conceptual artist "came of age in the late 1960s" when at... Read full biography
Known for painted images that appear to move back and forth in a progressive way, Jennifer Bartlett conveys a sense of computer systems operating behind the visual movement of her work, which is both abstract and realistic. Her career as a Conceptual artist "came of age in the late 1960s" when at age 27 and reflecting the prevalent style of Minimalism, she decided to do all of her artwork on a 16-gauge steel panel, 1-foot square that looked "like a very thin flooring tile" (Katz 106) and that... Read full biography
Known for painted images that appear to move back and forth in a progressive way, Jennifer Bartlett conveys a sense of computer systems operating behind the visual movement of her work, which is both abstract and realistic. Her career as a Conceptual artist "came of age in the late 1960s" when at age 27 and reflecting the prevalent style of Minimalism, she decided to do all of her artwork on a 16-gauge steel panel, 1-foot square that looked "like a very thin flooring tile" (Katz 106) and that had been pre-prepared with silk-screened grid lines, giving the appearance of graph paper. For the next several years, she worked on these panels by dabbing a "single point of paint into some of the tiny squares." The result was unpredictable, which... Read full biography
Known for painted images that appear to move back and forth in a progressive way, Jennifer Bartlett conveys a sense of computer systems operating behind the visual movement of her work, which is both abstract and realistic. Her career as a Conceptual artist "came of age in the late 1960s" when at age 27 and reflecting the prevalent style of Minimalism, she decided to do all of her artwork on a 16-gauge steel panel, 1-foot square that looked "like a very thin flooring tile" (Katz 106) and that had been pre-prepared with silk-screened grid lines, giving the appearance of graph paper. For the next several years, she worked on these panels by dabbing a "single point of paint into some of the tiny squares." The result was unpredictable, which led to her own style and confidence in her unique creativity. In 2006, the Addison Gallery in Andover, Massachusetts held an... Read full biography
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