"Eric Gibberd obviously has a crush on nature. And nature, sensing his devotion, seems to return the compliment by turning to him her most expressive, dramatic face. This is the dominant impression... Read full biography
"Eric Gibberd obviously has a crush on nature. And nature, sensing his devotion, seems to return the compliment by turning to him her most expressive, dramatic face. This is the dominant impression of the one-man show at International House. Called 'The Face of Nature,' it embraces a vast range of... Read full biography
"Eric Gibberd obviously has a crush on nature. And nature, sensing his devotion, seems to return the compliment by turning to him her most expressive, dramatic face. This is the dominant impression of the one-man show at International House. Called 'The Face of Nature,' it embraces a vast range of wonders, from the grandeur of the Rockies to the quiet mists of autumn. Gibberd applies paint liberally in all his work, but in the mountain pictures he carries this to deliberate extremes. He... Read full biography
"Eric Gibberd obviously has a crush on nature. And nature, sensing his devotion, seems to return the compliment by turning to him her most expressive, dramatic face. This is the dominant impression of the one-man show at International House. Called 'The Face of Nature,' it embraces a vast range of wonders, from the grandeur of the Rockies to the quiet mists of autumn. Gibberd applies paint liberally in all his work, but in the mountain pictures he carries this to deliberate extremes. He generally succeeds because of his strongly disciplined special compositions — which in fact demand bold color to compliment them." —Barbara Haddad. Eric Gibberd (1897-1972) began his life in London, England and eventually became part of the legendary Taos... Read full biography
"Eric Gibberd obviously has a crush on nature. And nature, sensing his devotion, seems to return the compliment by turning to him her most expressive, dramatic face. This is the dominant impression of the one-man show at International House. Called 'The Face of Nature,' it embraces a vast range of wonders, from the grandeur of the Rockies to the quiet mists of autumn. Gibberd applies paint liberally in all his work, but in the mountain pictures he carries this to deliberate extremes. He generally succeeds because of his strongly disciplined special compositions — which in fact demand bold color to compliment them." —Barbara Haddad. Eric Gibberd (1897-1972) began his life in London, England and eventually became part of the legendary Taos Art Colony and a member of the Taos Art Association. Gibberd's family had emigrated to western Canada from London for Eric's sake, w... Read full biography
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