Allison Katz PRICE CHARTS
Born 1980. Known for: Painting.
For over a decade, Katz has investigated the ways in which aesthetic practices link and absorb autobiography, commodity culture, information systems and art history. Her diverse imagery, including... Read full biography
For over a decade, Katz has investigated the ways in which aesthetic practices link and absorb autobiography, commodity culture, information systems and art history. Her diverse imagery, including cocks, cabbages, mouths, fairies, elevators, noses, waterways, and variations on her own name, appear... Read full biography
For over a decade, Katz has investigated the ways in which aesthetic practices link and absorb autobiography, commodity culture, information systems and art history. Her diverse imagery, including cocks, cabbages, mouths, fairies, elevators, noses, waterways, and variations on her own name, appear as recurring symbols and icons which build an unending constellation of ideas and references. Images transmute across the media of painting, posters, ceramics and installations. It is through this act... Read full biography
For over a decade, Katz has investigated the ways in which aesthetic practices link and absorb autobiography, commodity culture, information systems and art history. Her diverse imagery, including cocks, cabbages, mouths, fairies, elevators, noses, waterways, and variations on her own name, appear as recurring symbols and icons which build an unending constellation of ideas and references. Images transmute across the media of painting, posters, ceramics and installations. It is through this act of returning to, copying, transforming and reshaping motifs that the artist creates a lineage and continuity from one work to another, informing and connecting the totality with each new appearance. ‘I paint like I write, that is, I build around... Read full biography
For over a decade, Katz has investigated the ways in which aesthetic practices link and absorb autobiography, commodity culture, information systems and art history. Her diverse imagery, including cocks, cabbages, mouths, fairies, elevators, noses, waterways, and variations on her own name, appear as recurring symbols and icons which build an unending constellation of ideas and references. Images transmute across the media of painting, posters, ceramics and installations. It is through this act of returning to, copying, transforming and reshaping motifs that the artist creates a lineage and continuity from one work to another, informing and connecting the totality with each new appearance. ‘I paint like I write, that is, I build around quotes, which is a conversation, in effect,’ says Katz. Her subjects are united by a curiosity for how an image passes through embodied experience, while... Read full biography
