Matthias I Stomer PRICE CHARTS
c.1600 Amersfoort - c.1650 Sicily or Norther Italy. Known for: Painting.
As Marten Jan Bok has pointed out, the name, Stom - the actual name by which our painter was known during his lifetime, though he is generally called Stomer in modern art-historical literature - is... Read full biography
As Marten Jan Bok has pointed out, the name, Stom - the actual name by which our painter was known during his lifetime, though he is generally called Stomer in modern art-historical literature - is of Southern Netherlandish (Flemish) derivation, as many persons bearing that name in the Dutch... Read full biography
As Marten Jan Bok has pointed out, the name, Stom - the actual name by which our painter was known during his lifetime, though he is generally called Stomer in modern art-historical literature - is of Southern Netherlandish (Flemish) derivation, as many persons bearing that name in the Dutch Republic had emigrated from that region of the Low Countries (M.J. Bok, "Matthias Stom," in Nieuw licht op de Gouden Eeuw; Hendrick ter Brugghen en tijdgenoten, Utrecht, 1986-1987, p. 333, notes 16,17). It... Read full biography
As Marten Jan Bok has pointed out, the name, Stom - the actual name by which our painter was known during his lifetime, though he is generally called Stomer in modern art-historical literature - is of Southern Netherlandish (Flemish) derivation, as many persons bearing that name in the Dutch Republic had emigrated from that region of the Low Countries (M.J. Bok, "Matthias Stom," in Nieuw licht op de Gouden Eeuw; Hendrick ter Brugghen en tijdgenoten, Utrecht, 1986-1987, p. 333, notes 16,17). It is entirely conceivable that Matthias Stomer himself was a Flemish émigré to the North. Regardless of whether Stomer did indeed emigrate to the Netherlands, he probably received his artistic training in Utrecht or possibly Amersfoort as the influence... Read full biography
As Marten Jan Bok has pointed out, the name, Stom - the actual name by which our painter was known during his lifetime, though he is generally called Stomer in modern art-historical literature - is of Southern Netherlandish (Flemish) derivation, as many persons bearing that name in the Dutch Republic had emigrated from that region of the Low Countries (M.J. Bok, "Matthias Stom," in Nieuw licht op de Gouden Eeuw; Hendrick ter Brugghen en tijdgenoten, Utrecht, 1986-1987, p. 333, notes 16,17). It is entirely conceivable that Matthias Stomer himself was a Flemish émigré to the North. Regardless of whether Stomer did indeed emigrate to the Netherlands, he probably received his artistic training in Utrecht or possibly Amersfoort as the influence of Dutch painters from both those towns in terms of style and subject matter is readily detectable in his earlies... Read full biography
