Ralph Fleck PRICE CHARTS
Born 1951 Freiburg im Breisgau. Known for: Realistic cityscapes in a square format with a focus on architectural patterns and greenery..
Ralph Fleck was born in 1951. Ralph is known for his realistic cityscapes in a square format. He focuses on the architectural patterns and greenery of a section of the city, often painting in series.... Read full biography
Ralph Fleck was born in 1951. Ralph is known for his realistic cityscapes in a square format. He focuses on the architectural patterns and greenery of a section of the city, often painting in series. This particular artwork depicts a bird's-eye view of Paris, with a zoomed-in focus on a street... Read full biography
Ralph Fleck was born in 1951. Ralph is known for his realistic cityscapes in a square format. He focuses on the architectural patterns and greenery of a section of the city, often painting in series. This particular artwork depicts a bird's-eye view of Paris, with a zoomed-in focus on a street corner and its building complexes. Fleck's use of color and brushstrokes gives the picture a three-dimensional character, but when viewed up close, the details dissolve into blurred, impasto brushstrokes... Read full biography
Ralph Fleck was born in 1951. Ralph is known for his realistic cityscapes in a square format. He focuses on the architectural patterns and greenery of a section of the city, often painting in series. This particular artwork depicts a bird's-eye view of Paris, with a zoomed-in focus on a street corner and its building complexes. Fleck's use of color and brushstrokes gives the picture a three-dimensional character, but when viewed up close, the details dissolve into blurred, impasto brushstrokes... Read full biography
Ralph Fleck was born in 1951. Ralph is known for his realistic cityscapes in a square format. He focuses on the architectural patterns and greenery of a section of the city, often painting in series. This particular artwork depicts a bird's-eye view of Paris, with a zoomed-in focus on a street corner and its building complexes. Fleck's use of color and brushstrokes gives the picture a three-dimensional character, but when viewed up close, the details dissolve into blurred, impasto brushstrokes... Read full biography
