Raymond Hillary Andrews PRICE CHARTS
Born 1948. Known for: Painting.
Raymond Andrews, who studied under both Cecil Skotnes and Ernest Ullman, describes his work as follows: “My work is not intellectual nor social political and is never pessimistic. There is a... Read full biography
Raymond Andrews, who studied under both Cecil Skotnes and Ernest Ullman, describes his work as follows: “My work is not intellectual nor social political and is never pessimistic. There is a diversity evident on my work, but underlying this is the connecting thread of a personal repertoire of... Read full biography
Raymond Andrews, who studied under both Cecil Skotnes and Ernest Ullman, describes his work as follows: “My work is not intellectual nor social political and is never pessimistic. There is a diversity evident on my work, but underlying this is the connecting thread of a personal repertoire of graphic shapes and forms which I use to make a visual statement. I sometimes incorporate symbols and glyphs which have always been used by man in an effort to bridge the gap between the known and the... Read full biography
Raymond Andrews, who studied under both Cecil Skotnes and Ernest Ullman, describes his work as follows: “My work is not intellectual nor social political and is never pessimistic. There is a diversity evident on my work, but underlying this is the connecting thread of a personal repertoire of graphic shapes and forms which I use to make a visual statement. I sometimes incorporate symbols and glyphs which have always been used by man in an effort to bridge the gap between the known and the unknown. By their very nature they cannot be explained in words. The viewer’s interpretation is paramount though my titles sometimes point the way.”Reference: 1. Andrews, R. H. 2010. Raymond Andrews ‘Mysterious & Beautiful World’ incised oil paintings on... Read full biography
Raymond Andrews, who studied under both Cecil Skotnes and Ernest Ullman, describes his work as follows: “My work is not intellectual nor social political and is never pessimistic. There is a diversity evident on my work, but underlying this is the connecting thread of a personal repertoire of graphic shapes and forms which I use to make a visual statement. I sometimes incorporate symbols and glyphs which have always been used by man in an effort to bridge the gap between the known and the unknown. By their very nature they cannot be explained in words. The viewer’s interpretation is paramount though my titles sometimes point the way.”Reference: 1. Andrews, R. H. 2010. Raymond Andrews ‘Mysterious & Beautiful World’ incised oil paintings on board. [Online] Available: http://www.raymondandrews.co.za
