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Bonaventura Genelli BIOGRAPHY
1798 - 1868. Known for: Illustrations for Dante's Divine Comedy.
The artist Genelli created several series of illustrations for Dante's Divine Comedy during his career. The first drawings emerged in the 1840s as independent compositions, still influenced by Joseph... Read full biography
The artist Genelli created several series of illustrations for Dante's Divine Comedy during his career. The first drawings emerged in the 1840s as independent compositions, still influenced by Joseph Anton Koch's decorations in the Casino Massimo in Rome. In 1846, Genelli received a commission for... Read full biography
The artist Genelli created several series of illustrations for Dante's Divine Comedy during his career. The first drawings emerged in the 1840s as independent compositions, still influenced by Joseph Anton Koch's decorations in the Casino Massimo in Rome. In 1846, Genelli received a commission for another series of drawings on the subject.
The artist Genelli created several series of illustrations for Dante's Divine Comedy during his career. The first drawings emerged in the 1840s as independent compositions, still influenced by Joseph Anton Koch's decorations in the Casino Massimo in Rome. In 1846, Genelli received a commission for another series of drawings on the subject.
The artist Genelli created several series of illustrations for Dante's Divine Comedy during his career. The first drawings emerged in the 1840s as independent compositions, still influenced by Joseph Anton Koch's decorations in the Casino Massimo in Rome. In 1846, Genelli received a commission for another series of drawings on the subject.
Artist Biography
Biography page for Bonaventura Genelli ((1798 - 1868)), known for Illustrations for Dante's Divine Comedy. Showing 1 biographical entries and 0 sample artworks.
Bonaventura Genelli - Artist Info
About Bonaventura Genelli
Biography
The artist Genelli created several series of illustrations for Dante's Divine Comedy during his career. The first drawings emerged in the 1840s as independent compositions, still influenced by Joseph Anton Koch's decorations in the Casino Massimo in Rome. In 1846, Genelli received a commission for another series of drawings on the subject.