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Emile Decoeur BIOGRAPHY
1876 - 1953. Known for: Enamel art with shrinkage effects.
Émile Decœur was a French artist born in 1876 and died in 1953. He was known for his enamel art with shrinkage effects. The book "Émile Decœur 1876-1953" by Michel Giraud and Fabienne Fravalo... Read full biography
Émile Decœur was a French artist born in 1876 and died in 1953. He was known for his enamel art with shrinkage effects. The book "Émile Decœur 1876-1953" by Michel Giraud and Fabienne Fravalo features his work, including "forme d 37" which is reproduced on page 202 and can be compared to other... Read full biography
Émile Decœur was a French artist born in 1876 and died in 1953. He was known for his enamel art with shrinkage effects. The book "Émile Decœur 1876-1953" by Michel Giraud and Fabienne Fravalo features his work, including "forme d 37" which is reproduced on page 202 and can be compared to other works on pages 107, 112, and 115.
Émile Decœur was a French artist born in 1876 and died in 1953. He was known for his enamel art with shrinkage effects. The book "Émile Decœur 1876-1953" by Michel Giraud and Fabienne Fravalo features his work, including "forme d 37" which is reproduced on page 202 and can be compared to other works on pages 107, 112, and 115.
Émile Decœur was a French artist born in 1876 and died in 1953. He was known for his enamel art with shrinkage effects. The book "Émile Decœur 1876-1953" by Michel Giraud and Fabienne Fravalo features his work, including "forme d 37" which is reproduced on page 202 and can be compared to other works on pages 107, 112, and 115.
Artist Biography
Biography page for Emile Decoeur ((1876 - 1953)), known for Enamel art with shrinkage effects. Showing 1 biographical entries and 0 sample artworks.
Emile Decoeur - Artist Info
About Emile Decoeur
Biography
Émile Decœur was a French artist born in 1876 and died in 1953. He was known for his enamel art with shrinkage effects. The book "Émile Decœur 1876-1953" by Michel Giraud and Fabienne Fravalo features his work, including "forme d 37" which is reproduced on page 202 and can be compared to other works on pages 107, 112, and 115.