Frequently referenced with only the surname of Bores, Francisco Bores Lopez was a prominent 20th Century Spanish artist. He was born in Madrid and studied at the Cecilia Pia Academy. In 1925, he moved to Paris where he associated with Surrealist painters and was much influenced by that style as well as Cubism through his friend Juan Gris.

The signature style of Francisco Bores Lopez was abstract figurative and landscape. He did paintings and lithographs.

Source:
https://www.idburyprints.com/index.php?page=artist_view_details.php&arid=272

With great versatility, Francisco Borés moved freely through expressionism and cubism. Francisco Borés trained at Cecilio Pla's painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz and Joaquín Peinado, among others. He also frequented the literary gatherings in Madrid related to ultraism. During this period he made engravings for a large number of magazines, such as "Horizonte" or "Revista de Occidente", and attended the Academia Libre de Julio Moisés, where he coincided with Dalí and Benjamín Palencia.

In 1922, Lopez participates for the first time in the National Exhibition of Fine Arts, and three years later he will show his work in the first Exhibition of the Society of Iberian Artists, but the lack of interest of the Madrid public for young art drives him to go to Paris.

In the French capital, he came into contact with Picasso and Juan Gris, and made his individual debut in 1927. The following year he had his first solo exhibition in the United States, and in 1930 he exhibited again, this time as part of a group exhibition at the Museum of Modern Art in New York. During the following years he continued to hold solo exhibitions in prominent galleries in Paris and London, among them Georges Petit and Zwemmer.

After the Second World War he resumes his exhibition activity, and in 1947 the French State acquired for the first time, a work by Borés. In 1949 the Museum of Modern Art in New York bought his paintings. In 1969, Lopez exhibited at the Theo Gallery in Madrid, which meant his approach to the Spanish public, which was practically unaware of his work except in professional circles where, on the other hand, it was highly appreciated.

In 1971, Lopez exhibited again at the same Theo Gallery, and died in Paris in 1972.

The critic Joaquín de la Puente points out several stages in Borés' production: renewed classicism (1923-25), neo cubism (1925-29), fruit-painting (1929-33), interior scenes (1934-1949) and white style (1949-69).

Francisco Borés is represented in the most important museums around the world, including the Georges Pompidou Center in Paris, the Fine Arts Museums of Bilbao, Buenos Aires, Jerusalem, Gotemborg and Baltimore, the MOMA in New York, the Museo Nacional Centro de Arte Reina Sofía, the National Galleries of Athens, Brno and Edinburgh, the Museo Patio Herreriano in Valladolid, and the Modern Art Museums of Stockholm, Turin and Madrid.