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Rebecca Warren BIOGRAPHY
Born 1965 London, England. Known for: Grotesque clay figures.
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2006 Prize nominee Rebecca Warren creates brutalist post-Giacometti adventures in new sculpture. Building cartoonish, distorted objects alluding to figural forms, sometimes recognizable, sometimes... Read full biography
2006 Prize nominee Rebecca Warren creates brutalist post-Giacometti adventures in new sculpture. Building cartoonish, distorted objects alluding to figural forms, sometimes recognizable, sometimes severely abstracted, Warren's approach to creating is obtusely both reverent to the history of... Read full biography
2006 Prize nominee Rebecca Warren creates brutalist post-Giacometti adventures in new sculpture. Building cartoonish, distorted objects alluding to figural forms, sometimes recognizable, sometimes severely abstracted, Warren's approach to creating is obtusely both reverent to the history of sculpture yet contemptuous of understood practices and usage of materials.
2006 Prize nominee Rebecca Warren creates brutalist post-Giacometti adventures in new sculpture. Building cartoonish, distorted objects alluding to figural forms, sometimes recognizable, sometimes severely abstracted, Warren's approach to creating is obtusely both reverent to the history of sculpture yet contemptuous of understood practices and usage of materials.
2006 Prize nominee Rebecca Warren creates brutalist post-Giacometti adventures in new sculpture. Building cartoonish, distorted objects alluding to figural forms, sometimes recognizable, sometimes severely abstracted, Warren's approach to creating is obtusely both reverent to the history of sculpture yet contemptuous of understood practices and usage of materials.
Artist Biography
Biography page for Rebecca Warren ((Born 1965)), known for Grotesque clay figures. Showing 1 biographical entries and 0 sample artworks.
Rebecca Warren - Artist Info
About Rebecca Warren
Biography
2006 Prize nominee Rebecca Warren creates brutalist post-Giacometti adventures in new sculpture. Building cartoonish, distorted objects alluding to figural forms, sometimes recognizable, sometimes severely abstracted, Warren's approach to creating is obtusely both reverent to the history of sculpture yet contemptuous of understood practices and usage of materials.