Laura Covaci PRICE CHARTS
Born 1964 Bucharest. Known for: Painting.
Laura Covaci creates an almost morbid emptiness around her characters, thus putting under the microscope only the outlined relationship between them at the expense of the elements of context and the... Read full biography
Laura Covaci creates an almost morbid emptiness around her characters, thus putting under the microscope only the outlined relationship between them at the expense of the elements of context and the temporality of all those involved, whether they are protagonists or just mere spectators. It manages... Read full biography
Laura Covaci creates an almost morbid emptiness around her characters, thus putting under the microscope only the outlined relationship between them at the expense of the elements of context and the temporality of all those involved, whether they are protagonists or just mere spectators. It manages to transform austerity into a creative tool with which it builds the space necessary for emotions and their interpretation. At the same time, the expressions of the characters lost in their own... Read full biography
Laura Covaci creates an almost morbid emptiness around her characters, thus putting under the microscope only the outlined relationship between them at the expense of the elements of context and the temporality of all those involved, whether they are protagonists or just mere spectators. It manages to transform austerity into a creative tool with which it builds the space necessary for emotions and their interpretation. At the same time, the expressions of the characters lost in their own passions are outlined precisely by the severity of the compositional line, going as far as defining them through the contrast of shades. Also, the dynamic between the circularity of the figures and the scenographic linearity in the background creates a... Read full biography
Laura Covaci creates an almost morbid emptiness around her characters, thus putting under the microscope only the outlined relationship between them at the expense of the elements of context and the temporality of all those involved, whether they are protagonists or just mere spectators. It manages to transform austerity into a creative tool with which it builds the space necessary for emotions and their interpretation. At the same time, the expressions of the characters lost in their own passions are outlined precisely by the severity of the compositional line, going as far as defining them through the contrast of shades. Also, the dynamic between the circularity of the figures and the scenographic linearity in the background creates a visual paradox absolutely necessary for the ambiguous nature of the work.
