Albert Dumouchel, printmaker*, painter, and teacher studied etching* and lithography* in Paris. In Montreal in 1945, he participated in the "cadavres exquis" experiments with Leon Bellefleur, Jean... Read full biography
Albert Dumouchel, printmaker*, painter, and teacher studied etching* and lithography* in Paris. In Montreal in 1945, he participated in the "cadavres exquis" experiments with Leon Bellefleur, Jean Benoit, Jean Leonard, Mimi Parent and Alfred Pellan, and, in 1947 and 1949, published two famous... Read full biography
Albert Dumouchel, printmaker*, painter, and teacher studied etching* and lithography* in Paris. In Montreal in 1945, he participated in the "cadavres exquis" experiments with Leon Bellefleur, Jean Benoit, Jean Leonard, Mimi Parent and Alfred Pellan, and, in 1947 and 1949, published two famous issues of Les Ateliers d'arts Graphiques, the review of Montreal's Institute of Graphic Arts. In 1948, he joined the free-art "Prisme d'yeux"* group, and later made contributions to the first publications... Read full biography
Albert Dumouchel, printmaker*, painter, and teacher studied etching* and lithography* in Paris. In Montreal in 1945, he participated in the "cadavres exquis" experiments with Leon Bellefleur, Jean Benoit, Jean Leonard, Mimi Parent and Alfred Pellan, and, in 1947 and 1949, published two famous issues of Les Ateliers d'arts Graphiques, the review of Montreal's Institute of Graphic Arts. In 1948, he joined the free-art "Prisme d'yeux"* group, and later made contributions to the first publications of Roland Giguere Editions Erta. Between 1949 and 1954, his lithographs illustrated Giguere's Faire naître, Les Nuits abat-jour and Les Armes blanches. Giguere interested Dumouchel in the Cobra* movement, and his work appeared in the Revue... Read full biography
Albert Dumouchel, printmaker*, painter, and teacher studied etching* and lithography* in Paris. In Montreal in 1945, he participated in the "cadavres exquis" experiments with Leon Bellefleur, Jean Benoit, Jean Leonard, Mimi Parent and Alfred Pellan, and, in 1947 and 1949, published two famous issues of Les Ateliers d'arts Graphiques, the review of Montreal's Institute of Graphic Arts. In 1948, he joined the free-art "Prisme d'yeux"* group, and later made contributions to the first publications of Roland Giguere Editions Erta. Between 1949 and 1954, his lithographs illustrated Giguere's Faire naître, Les Nuits abat-jour and Les Armes blanches. Giguere interested Dumouchel in the Cobra* movement, and his work appeared in the Revue internationale de l'art expérimental - Cobra (1954), and in Phases de l'art contempo... Read full biography
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