Artist Statement, 2019. When I first took up a brush I had some early influences – artists such as Edward Hopper, Andrew Wyeth, and Wayne Thiebaud. Their sense of space, light and composition... Read full biography
Artist Statement, 2019. When I first took up a brush I had some early influences – artists such as Edward Hopper, Andrew Wyeth, and Wayne Thiebaud. Their sense of space, light and composition appealed to me. There was also a sense of capturing their environments what caught my eye. In the early... Read full biography
Artist Statement, 2019. When I first took up a brush I had some early influences – artists such as Edward Hopper, Andrew Wyeth, and Wayne Thiebaud. Their sense of space, light and composition appealed to me. There was also a sense of capturing their environments what caught my eye. In the early years, I developed an interest in still life painting, which was a way for me to come to terms with the medium of paint. Over time, I progressively expanded the close, intimate space of still life to... Read full biography
Artist Statement, 2019. When I first took up a brush I had some early influences – artists such as Edward Hopper, Andrew Wyeth, and Wayne Thiebaud. Their sense of space, light and composition appealed to me. There was also a sense of capturing their environments what caught my eye. In the early years, I developed an interest in still life painting, which was a way for me to come to terms with the medium of paint. Over time, I progressively expanded the close, intimate space of still life to incorporate the concept of landscape in a single work. The process enabled me to create layers, a sense of immediate and distant perspective. Using this perspective I created a stream of work, combining close up observation of still life with the... Read full biography
Artist Statement, 2019. When I first took up a brush I had some early influences – artists such as Edward Hopper, Andrew Wyeth, and Wayne Thiebaud. Their sense of space, light and composition appealed to me. There was also a sense of capturing their environments what caught my eye. In the early years, I developed an interest in still life painting, which was a way for me to come to terms with the medium of paint. Over time, I progressively expanded the close, intimate space of still life to incorporate the concept of landscape in a single work. The process enabled me to create layers, a sense of immediate and distant perspective. Using this perspective I created a stream of work, combining close up observation of still life with the grander sweeping issues involved in representing landscape. This allowed me to explore the possible thematic and aesthetic relationships betw... Read full biography
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