Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text. ?? Wyn Evans began his career as a video and filmmaker,... Read full biography
Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text. ?? Wyn Evans began his career as a video and filmmaker, initially assisting Derek Jarman, and then making short, experimental films during the 1980s. Since... Read full biography
Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text. ?? Wyn Evans began his career as a video and filmmaker, initially assisting Derek Jarman, and then making short, experimental films during the 1980s. Since the 1990s, his work could be characterized by its focus on language and perception, as well as its precise, conceptual clarity that is often developed out of the context of the exhibition site or its... Read full biography
Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text. ?? Wyn Evans began his career as a video and filmmaker, initially assisting Derek Jarman, and then making short, experimental films during the 1980s. Since the 1990s, his work could be characterized by its focus on language and perception, as well as its precise, conceptual clarity that is often developed out of the context of the exhibition site or its history. For Wyn Evans, installations should work like a catalyst: a reservoir of possible meanings that can unravel many discursive journeys. Moreover, his work has a highly refined aesthetic that is often informed by this deep interest in film... Read full biography
Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text. ?? Wyn Evans began his career as a video and filmmaker, initially assisting Derek Jarman, and then making short, experimental films during the 1980s. Since the 1990s, his work could be characterized by its focus on language and perception, as well as its precise, conceptual clarity that is often developed out of the context of the exhibition site or its history. For Wyn Evans, installations should work like a catalyst: a reservoir of possible meanings that can unravel many discursive journeys. Moreover, his work has a highly refined aesthetic that is often informed by this deep interest in film history and literature. Indeed, Wyn Evans' earlier creators often inhabit his work, an indication of his desire to keep their ideas... Read full biography
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