Hu Chi-Chung’s abstract paintings, at once intricate and vast, evoke what Kandinsky revered in art—the Stimmung (“essential spirit”) “which preserve[s] the soul from coarseness; … ‘keys it up,’ so to... Read full biography
Hu Chi-Chung’s abstract paintings, at once intricate and vast, evoke what Kandinsky revered in art—the Stimmung (“essential spirit”) “which preserve[s] the soul from coarseness; … ‘keys it up,’ so to speak, to a certain height…” (Kandinsky 2). Chi-Chung’s organic forms, poetically suggestive of... Read full biography
Hu Chi-Chung’s abstract paintings, at once intricate and vast, evoke what Kandinsky revered in art—the Stimmung (“essential spirit”) “which preserve[s] the soul from coarseness; … ‘keys it up,’ so to speak, to a certain height…” (Kandinsky 2). Chi-Chung’s organic forms, poetically suggestive of animal-life and natural materials such as island-chains, mountains, and caves, express interesting relationships, with fractal-like displays of pattern, between the microcosmic and macrocosmic, the inner... Read full biography
Hu Chi-Chung’s abstract paintings, at once intricate and vast, evoke what Kandinsky revered in art—the Stimmung (“essential spirit”) “which preserve[s] the soul from coarseness; … ‘keys it up,’ so to speak, to a certain height…” (Kandinsky 2). Chi-Chung’s organic forms, poetically suggestive of animal-life and natural materials such as island-chains, mountains, and caves, express interesting relationships, with fractal-like displays of pattern, between the microcosmic and macrocosmic, the inner and outer realms, and the regenerative double. His use of numerals for titles may point less towards the notion of an ordered sequence and more towards the unnamable, hermetic framework of the artistic process itself. ?. While the Grove Dictionary... Read full biography
Hu Chi-Chung’s abstract paintings, at once intricate and vast, evoke what Kandinsky revered in art—the Stimmung (“essential spirit”) “which preserve[s] the soul from coarseness; … ‘keys it up,’ so to speak, to a certain height…” (Kandinsky 2). Chi-Chung’s organic forms, poetically suggestive of animal-life and natural materials such as island-chains, mountains, and caves, express interesting relationships, with fractal-like displays of pattern, between the microcosmic and macrocosmic, the inner and outer realms, and the regenerative double. His use of numerals for titles may point less towards the notion of an ordered sequence and more towards the unnamable, hermetic framework of the artistic process itself. ?. While the Grove Dictionary of Art identifies 20th century abstract art as “a wholly modern phenomenon” with “assumptions of self-sufficiency” and as fundamenta... Read full biography
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