. Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the... Read full biography
. Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years... Read full biography
. Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third... Read full biography
. Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall... Read full biography
. Disciple in the School of the Fish market of Martí Alsina and, mainly, of Antonio Caba, during his years of student Baixeras received the nickname of "the medals", due to his facility to win the contests. He exhibited for the first time in 1882, at the Sala Parés in Barcelona, and four years later he traveled to Paris, where he was enthusiastic about the peasant-themed realism of Millet and Bastien-Lepage. During these years he won awards at the Fine Arts Exhibitions of Madrid (1884, third medal) and Paris (1886, honorable mention). Back in Barcelona he made great compositions of historical character, like those of the auditorium of the university (1888), those of the seminary (1904, destroyed in 1936) and those of the dome of the hall of Sant Jordi of the Generalitat (1928). In 1907 he made a series of drawings of documentary type, focused on the repres... Read full biography
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