Art images copyright© of artist or assignee
Portrait of a lady as Saint Catherine of Alexandria
Auction: 12/03/2013
Lot: 20
Subscribe or get free alerts
Domenico Bartolomeo Ubaldini il Puligo AUCTION RECORDS
1492 - 1527. Known for: Painting.
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a... Read full biography
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso... Read full biography
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso (1494-1540). It is noteworthy that numerous, perhaps even the majority, of his Madonna paintings exhibit this strong sfumato effect, which was intended to convey a certain aloofness to these saintly... Read full biography
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso (1494-1540). It is noteworthy that numerous, perhaps even the majority, of his Madonna paintings exhibit this strong sfumato effect, which was intended to convey a certain aloofness to these saintly figures, whereas the painter definitely preferred a hard contour style in secular portraits.
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso (1494-1540). It is noteworthy that numerous, perhaps even the majority, of his Madonna paintings exhibit this strong sfumato effect, which was intended to convey a certain aloofness to these saintly figures, whereas the painter definitely preferred a hard contour style in secular portraits.
Domenico Bartolomeo Ubaldini il Puligo - Auction Lots
Showing 1-6 of 6 records (53 for subscribers)
Domenico Bartolomeo Ubaldini il Puligo 
Art images copyright© of artist or assigneeSubscribe or get free alerts
Art images copyright© of artist or assigneeHOLY FAMILY, WITH THE MADONNA SUPPORTING THE STANDING CHRIST CHILD ON A STONE LEDGE
Domenico Bartolomeo Ubaldini il Puligo Auction: 12/08/2011Lot: 112Subscribe or get free alerts
Art images copyright© of artist or assigneePortrait of a lady, as Mary Magdalene
Domenico Bartolomeo Ubaldini il Puligo Auction: 12/06/2018Lot: 25Subscribe or get free alerts
Art images copyright© of artist or assigneeThe Virgin and Child with two angels
Domenico Bartolomeo Ubaldini il Puligo Auction: 04/13/2011Lot: 465Subscribe or get free alerts
Art images copyright© of artist or assigneeSubscribe or get free alerts
Showing 1-6 of 6 records (53 for subscribers)