1843 - 1906. Known for: Painting.
Painter and illustrator, Edith studied at Heatherley's School of Fine Art in London in the 1860s, the only art school at the time that allowed women to attend classes alongside male students. The...
Read full biography Painter and illustrator, Edith studied at Heatherley's School of Fine Art in London in the 1860s, the only art school at the time that allowed women to attend classes alongside male students. The subjects of her paintings are mainly inspired by the world of fishing and sea scenes, an interest...
Read full biography Painter and illustrator, Edith studied at Heatherley's School of Fine Art in London in the 1860s, the only art school at the time that allowed women to attend classes alongside male students. The subjects of her paintings are mainly inspired by the world of fishing and sea scenes, an interest derived from her stays among the fishing communities in Cornwall. Her painting is delicate, a nuanced brushstroke that describes a personal social realism depicting men and women in traditional dress...
Read full biography Painter and illustrator, Edith studied at Heatherley's School of Fine Art in London in the 1860s, the only art school at the time that allowed women to attend classes alongside male students. The subjects of her paintings are mainly inspired by the world of fishing and sea scenes, an interest derived from her stays among the fishing communities in Cornwall. Her painting is delicate, a nuanced brushstroke that describes a personal social realism depicting men and women in traditional dress performing everyday tasks or children playing on the beach; she exhibited regularly between 1862 and 1906, including at the Royal Academy, the Royal Glasgow Institute of Fine Art and the Royal Hibernian Academy of Arts.
Painter and illustrator, Edith studied at Heatherley's School of Fine Art in London in the 1860s, the only art school at the time that allowed women to attend classes alongside male students. The subjects of her paintings are mainly inspired by the world of fishing and sea scenes, an interest derived from her stays among the fishing communities in Cornwall. Her painting is delicate, a nuanced brushstroke that describes a personal social realism depicting men and women in traditional dress performing everyday tasks or children playing on the beach; she exhibited regularly between 1862 and 1906, including at the Royal Academy, the Royal Glasgow Institute of Fine Art and the Royal Hibernian Academy of Arts.