Fabio Mauri was born in Rome in 1926 and has been engaged from an early age to theater, performance*, installation* and painting, and even theory and teaching. Since 1954, Maurihas been part of the... Read full biography
Fabio Mauri was born in Rome in 1926 and has been engaged from an early age to theater, performance*, installation* and painting, and even theory and teaching. Since 1954, Maurihas been part of the Italian avant-garde. His first monochrome* screens date back to 1957. In the seventies, Mauri focused... Read full biography
Fabio Mauri was born in Rome in 1926 and has been engaged from an early age to theater, performance*, installation* and painting, and even theory and teaching. Since 1954, Maurihas been part of the Italian avant-garde. His first monochrome* screens date back to 1957. In the seventies, Mauri focused on the ideological component of linguistics, and begins his series Ebrea (1971). That year he produced the artwork Che cosa è il fascismo that he repeats in the Venice Biennale* and in New York City.... Read full biography
Fabio Mauri was born in Rome in 1926 and has been engaged from an early age to theater, performance*, installation* and painting, and even theory and teaching. Since 1954, Maurihas been part of the Italian avant-garde. His first monochrome* screens date back to 1957. In the seventies, Mauri focused on the ideological component of linguistics, and begins his series Ebrea (1971). That year he produced the artwork Che cosa è il fascismo that he repeats in the Venice Biennale* and in New York City. The artist was invited to the Venice Biennales of 1974 and 1978, and also in 1993, when he participated with the artwork Muro Occidentale o del Pianto. In 2013, year of his most recent participation, he reissued the 1973 performance Ideologia e... Read full biography
Fabio Mauri was born in Rome in 1926 and has been engaged from an early age to theater, performance*, installation* and painting, and even theory and teaching. Since 1954, Maurihas been part of the Italian avant-garde. His first monochrome* screens date back to 1957. In the seventies, Mauri focused on the ideological component of linguistics, and begins his series Ebrea (1971). That year he produced the artwork Che cosa è il fascismo that he repeats in the Venice Biennale* and in New York City. The artist was invited to the Venice Biennales of 1974 and 1978, and also in 1993, when he participated with the artwork Muro Occidentale o del Pianto. In 2013, year of his most recent participation, he reissued the 1973 performance Ideologia e Natura. Between 1957-1975, Mauri worked in Bompiani publishing house in Rome and Milan, and by 1979 he was offer... Read full biography
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