From her affluent roots in Northern Ireland, Victorian artist Georgina Moutray Kyle began her artistic career in 1883 when, at the age of 18, she was sent to Paris to study art at the Academie... Read full biography
From her affluent roots in Northern Ireland, Victorian artist Georgina Moutray Kyle began her artistic career in 1883 when, at the age of 18, she was sent to Paris to study art at the Academie Colarossi. The academy was one of a number of smaller private academies that accepted female students,... Read full biography
From her affluent roots in Northern Ireland, Victorian artist Georgina Moutray Kyle began her artistic career in 1883 when, at the age of 18, she was sent to Paris to study art at the Academie Colarossi. The academy was one of a number of smaller private academies that accepted female students, where top-tier art schools still excluded women from studying. Once graduated, she traveled widely exhibiting in Paris, Glasgow, Belfast, Dublin and Liverpool. Most notably, her work was displayed in the... Read full biography
From her affluent roots in Northern Ireland, Victorian artist Georgina Moutray Kyle began her artistic career in 1883 when, at the age of 18, she was sent to Paris to study art at the Academie Colarossi. The academy was one of a number of smaller private academies that accepted female students, where top-tier art schools still excluded women from studying. Once graduated, she traveled widely exhibiting in Paris, Glasgow, Belfast, Dublin and Liverpool. Most notably, her work was displayed in the 1924 Wembley Exhibition. In 1888 she became an extremely active member of the Belfast Ramblers' Sketching Club, which subsequently became the Belfast Art Society, and in 1930 the Ulster Academy of Arts, when she ceased to be involved in its... Read full biography
From her affluent roots in Northern Ireland, Victorian artist Georgina Moutray Kyle began her artistic career in 1883 when, at the age of 18, she was sent to Paris to study art at the Academie Colarossi. The academy was one of a number of smaller private academies that accepted female students, where top-tier art schools still excluded women from studying. Once graduated, she traveled widely exhibiting in Paris, Glasgow, Belfast, Dublin and Liverpool. Most notably, her work was displayed in the 1924 Wembley Exhibition. In 1888 she became an extremely active member of the Belfast Ramblers' Sketching Club, which subsequently became the Belfast Art Society, and in 1930 the Ulster Academy of Arts, when she ceased to be involved in its activities. Her distinct style stands out amongst her contemporaries of the period, ch... Read full biography
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