Giovanni Anselmo (b. 1934, Borgofranco d'Ivrea), divides his time between Turin and the volcanic island of Stromboli. It was while walking on Mount Stromboli at dawn in 1965 that he was suddenly... Read full biography
Giovanni Anselmo (b. 1934, Borgofranco d'Ivrea), divides his time between Turin and the volcanic island of Stromboli. It was while walking on Mount Stromboli at dawn in 1965 that he was suddenly struck by the realization that he was merely a tiny detail in the vast continuum of universal energy.... Read full biography
Giovanni Anselmo (b. 1934, Borgofranco d'Ivrea), divides his time between Turin and the volcanic island of Stromboli. It was while walking on Mount Stromboli at dawn in 1965 that he was suddenly struck by the realization that he was merely a tiny detail in the vast continuum of universal energy. This epiphany was to inspire his many works investigating the finite and the infinite, the microcosm and the macrocosm, and the elemental laws and forces of nature - gravity, tension, magnetism and... Read full biography
Giovanni Anselmo (b. 1934, Borgofranco d'Ivrea), divides his time between Turin and the volcanic island of Stromboli. It was while walking on Mount Stromboli at dawn in 1965 that he was suddenly struck by the realization that he was merely a tiny detail in the vast continuum of universal energy. This epiphany was to inspire his many works investigating the finite and the infinite, the microcosm and the macrocosm, and the elemental laws and forces of nature - gravity, tension, magnetism and energy. A wide range of organic and inorganic materials including vegetables, water, electricity, granite, iron and plastic are brought together in combinations that strikingly demonstrate these forces. In Torsion, 1968, for example, a leather loop set... Read full biography
Giovanni Anselmo (b. 1934, Borgofranco d'Ivrea), divides his time between Turin and the volcanic island of Stromboli. It was while walking on Mount Stromboli at dawn in 1965 that he was suddenly struck by the realization that he was merely a tiny detail in the vast continuum of universal energy. This epiphany was to inspire his many works investigating the finite and the infinite, the microcosm and the macrocosm, and the elemental laws and forces of nature - gravity, tension, magnetism and energy. A wide range of organic and inorganic materials including vegetables, water, electricity, granite, iron and plastic are brought together in combinations that strikingly demonstrate these forces. In Torsion, 1968, for example, a leather loop set in a concrete block is tightly twisted and fixed in place with a wooden bar. This work literally traps energy. Similarl... Read full biography
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