HENRIQUE OLIVEIRA: Through July 28. Van de Weghe Fine Art, 1018 Madison Avenue, Manhattan; Art & Design Section, "What to See in New York Art Galleries This Week," by Martha Schwendener, The New York... Read full biography
HENRIQUE OLIVEIRA: Through July 28. Van de Weghe Fine Art, 1018 Madison Avenue, Manhattan; Art & Design Section, "What to See in New York Art Galleries This Week," by Martha Schwendener, The New York Times, July 2017. The popularity of wood as an artistic medium at last year’s São Paulo Biennial... Read full biography
HENRIQUE OLIVEIRA: Through July 28. Van de Weghe Fine Art, 1018 Madison Avenue, Manhattan; Art & Design Section, "What to See in New York Art Galleries This Week," by Martha Schwendener, The New York Times, July 2017. The popularity of wood as an artistic medium at last year’s São Paulo Biennial made clear — to this viewer, at least — the complicated nature of that material in Brazil. The different types of wood and the value and complex cultural significance ascribed to them is similar to that... Read full biography
HENRIQUE OLIVEIRA: Through July 28. Van de Weghe Fine Art, 1018 Madison Avenue, Manhattan; Art & Design Section, "What to See in New York Art Galleries This Week," by Martha Schwendener, The New York Times, July 2017. The popularity of wood as an artistic medium at last year’s São Paulo Biennial made clear — to this viewer, at least — the complicated nature of that material in Brazil. The different types of wood and the value and complex cultural significance ascribed to them is similar to that of gems and quarried stone. Wood is also the basis of the Brazilian artist Henrique Oliveira’s impressive, immersive installation at Van de Weghe on the Upper East Side. For this show, his first solo exhibition in New York, Mr. Oliveira has... Read full biography
HENRIQUE OLIVEIRA: Through July 28. Van de Weghe Fine Art, 1018 Madison Avenue, Manhattan; Art & Design Section, "What to See in New York Art Galleries This Week," by Martha Schwendener, The New York Times, July 2017. The popularity of wood as an artistic medium at last year’s São Paulo Biennial made clear — to this viewer, at least — the complicated nature of that material in Brazil. The different types of wood and the value and complex cultural significance ascribed to them is similar to that of gems and quarried stone. Wood is also the basis of the Brazilian artist Henrique Oliveira’s impressive, immersive installation at Van de Weghe on the Upper East Side. For this show, his first solo exhibition in New York, Mr. Oliveira has constructed a life-size, leafless tree in the gallery. Unlike artists including Robert Smithson and Mark Dion, who brought live or dead... Read full biography
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