Born in Coalsnaughton, Clackmannanshire, 1943, Secondary education in Portland, Connecticut, USA Rhode Island School of Design, 1961 - 1963 Edinburgh College of Art, 1964 - 68 . The works of Hugh... Read full biography
Born in Coalsnaughton, Clackmannanshire, 1943, Secondary education in Portland, Connecticut, USA Rhode Island School of Design, 1961 - 1963 Edinburgh College of Art, 1964 - 68 . The works of Hugh Mcintyre, are most typically out of doors, enveloped in atmospheric overtones and continue the long... Read full biography
Born in Coalsnaughton, Clackmannanshire, 1943, Secondary education in Portland, Connecticut, USA Rhode Island School of Design, 1961 - 1963 Edinburgh College of Art, 1964 - 68 . The works of Hugh Mcintyre, are most typically out of doors, enveloped in atmospheric overtones and continue the long tradition of Scottish painting. Never working from a subject directly, he walks the riverside or seashore in all weathers and then returns to his studio to relive his experiences by putting them down on... Read full biography
Born in Coalsnaughton, Clackmannanshire, 1943, Secondary education in Portland, Connecticut, USA Rhode Island School of Design, 1961 - 1963 Edinburgh College of Art, 1964 - 68 . The works of Hugh Mcintyre, are most typically out of doors, enveloped in atmospheric overtones and continue the long tradition of Scottish painting. Never working from a subject directly, he walks the riverside or seashore in all weathers and then returns to his studio to relive his experiences by putting them down on canvas. Once he has decided on a particular arrangement, it will be repeated over and over until the concept is exhausted. Never working on fewer then three canvases at a time, Mcintyre is able to maintain a high level of intensity by constantly... Read full biography
Born in Coalsnaughton, Clackmannanshire, 1943, Secondary education in Portland, Connecticut, USA Rhode Island School of Design, 1961 - 1963 Edinburgh College of Art, 1964 - 68 . The works of Hugh Mcintyre, are most typically out of doors, enveloped in atmospheric overtones and continue the long tradition of Scottish painting. Never working from a subject directly, he walks the riverside or seashore in all weathers and then returns to his studio to relive his experiences by putting them down on canvas. Once he has decided on a particular arrangement, it will be repeated over and over until the concept is exhausted. Never working on fewer then three canvases at a time, Mcintyre is able to maintain a high level of intensity by constantly changing from... Read full biography
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