Iván Navarro. January 17 — March 30, 2008. New Media Wall, Remis Scupture Court, and Koppelman Gallery. Opening Reception: Thursday, January 17, 5:30-8:30 pm. Iván Navarro's light sculptures glow and... Read full biography
Iván Navarro. January 17 — March 30, 2008. New Media Wall, Remis Scupture Court, and Koppelman Gallery. Opening Reception: Thursday, January 17, 5:30-8:30 pm. Iván Navarro's light sculptures glow and buzz with color and electrical current, transforming utilitarian objects (the shopping cart, the... Read full biography
Iván Navarro. January 17 — March 30, 2008. New Media Wall, Remis Scupture Court, and Koppelman Gallery. Opening Reception: Thursday, January 17, 5:30-8:30 pm. Iván Navarro's light sculptures glow and buzz with color and electrical current, transforming utilitarian objects (the shopping cart, the wheelbarrow, the door, the ladder) into radiant yet foreboding forms with double meanings. Although the seductive glow of his sculptures draws us in, the threat of being burned or electrocuted keeps us... Read full biography
Iván Navarro. January 17 — March 30, 2008. New Media Wall, Remis Scupture Court, and Koppelman Gallery. Opening Reception: Thursday, January 17, 5:30-8:30 pm. Iván Navarro's light sculptures glow and buzz with color and electrical current, transforming utilitarian objects (the shopping cart, the wheelbarrow, the door, the ladder) into radiant yet foreboding forms with double meanings. Although the seductive glow of his sculptures draws us in, the threat of being burned or electrocuted keeps us at arm's length. Navarro's videos, set to popular Latin ballads, cast the portable sculptures as protagonists engaged in nomadic, existential journeys, forging ahead against dark, unseen forces. A monumental sculptural installation coalesces... Read full biography
Iván Navarro. January 17 — March 30, 2008. New Media Wall, Remis Scupture Court, and Koppelman Gallery. Opening Reception: Thursday, January 17, 5:30-8:30 pm. Iván Navarro's light sculptures glow and buzz with color and electrical current, transforming utilitarian objects (the shopping cart, the wheelbarrow, the door, the ladder) into radiant yet foreboding forms with double meanings. Although the seductive glow of his sculptures draws us in, the threat of being burned or electrocuted keeps us at arm's length. Navarro's videos, set to popular Latin ballads, cast the portable sculptures as protagonists engaged in nomadic, existential journeys, forging ahead against dark, unseen forces. A monumental sculptural installation coalesces anxieties about darkened spaces, surveillance via one-way mirrors, confusing distortions of spatial depth, and a... Read full biography
Ivan Navarro - Art Prices in Auction LotsAuction Lots