20/21st century. Known for: Abstract relief paintings.
John Dante Bianchi . "The “relief panel” paintings started during a residency that I was doing in Giverny, France in 2009. I was experimenting with different materials and trying to make small...
Read full biography John Dante Bianchi . "The “relief panel” paintings started during a residency that I was doing in Giverny, France in 2009. I was experimenting with different materials and trying to make small paintings that I could carry back with me on the plane. I started spray-painting EPS ceiling panels I...
Read full biography John Dante Bianchi . "The “relief panel” paintings started during a residency that I was doing in Giverny, France in 2009. I was experimenting with different materials and trying to make small paintings that I could carry back with me on the plane. I started spray-painting EPS ceiling panels I found in my studio. I discovered that I could get interesting relief effects when the paint started to break down the foam support. I then started masking out areas with actual paint to achieve more...
Read full biography John Dante Bianchi . "The “relief panel” paintings started during a residency that I was doing in Giverny, France in 2009. I was experimenting with different materials and trying to make small paintings that I could carry back with me on the plane. I started spray-painting EPS ceiling panels I found in my studio. I discovered that I could get interesting relief effects when the paint started to break down the foam support. I then started masking out areas with actual paint to achieve more specific images. I found that the masked images would stay intact and the rest of the surface would start to break down, creating a very textured ruinous effect. The images I use now are mostly taken from a family archive that I found in my Grandmother’s...
Read full biography John Dante Bianchi . "The “relief panel” paintings started during a residency that I was doing in Giverny, France in 2009. I was experimenting with different materials and trying to make small paintings that I could carry back with me on the plane. I started spray-painting EPS ceiling panels I found in my studio. I discovered that I could get interesting relief effects when the paint started to break down the foam support. I then started masking out areas with actual paint to achieve more specific images. I found that the masked images would stay intact and the rest of the surface would start to break down, creating a very textured ruinous effect. The images I use now are mostly taken from a family archive that I found in my Grandmother’s house, and geology.". Source:. Website of Galerie Derouillon, 2021.