Painter and engraver, Joan Abelló began his training in a self-taught way, having in his first paintings a great influence on the works that Joaquín Mir made in Mollet. He then studied at the Baixas... Read full biography
Painter and engraver, Joan Abelló began his training in a self-taught way, having in his first paintings a great influence on the works that Joaquín Mir made in Mollet. He then studied at the Baixas Academy and at the Royal Artistic Circle of Barcelona (1941), and later became a disciple of Pere... Read full biography
Painter and engraver, Joan Abelló began his training in a self-taught way, having in his first paintings a great influence on the works that Joaquín Mir made in Mollet. He then studied at the Baixas Academy and at the Royal Artistic Circle of Barcelona (1941), and later became a disciple of Pere Pruna, working for two years in his studio (1944-46). P. runa taught him mural and engraving techniques, and he also learned restoration in Miracle's studio. In 1945 he exhibited his work in Barcelona... Read full biography
Painter and engraver, Joan Abelló began his training in a self-taught way, having in his first paintings a great influence on the works that Joaquín Mir made in Mollet. He then studied at the Baixas Academy and at the Royal Artistic Circle of Barcelona (1941), and later became a disciple of Pere Pruna, working for two years in his studio (1944-46). P. runa taught him mural and engraving techniques, and he also learned restoration in Miracle's studio. In 1945 he exhibited his work in Barcelona for the first time, and the following year he began working in the studio of Carlos Pellicer, with whom he worked for fourteen years. He completed his studies with trips to London, Belgium, Paris and the Isle of Man, among other places. In the 1960s... Read full biography
Painter and engraver, Joan Abelló began his training in a self-taught way, having in his first paintings a great influence on the works that Joaquín Mir made in Mollet. He then studied at the Baixas Academy and at the Royal Artistic Circle of Barcelona (1941), and later became a disciple of Pere Pruna, working for two years in his studio (1944-46). P. runa taught him mural and engraving techniques, and he also learned restoration in Miracle's studio. In 1945 he exhibited his work in Barcelona for the first time, and the following year he began working in the studio of Carlos Pellicer, with whom he worked for fourteen years. He completed his studies with trips to London, Belgium, Paris and the Isle of Man, among other places. In the 1960s he returned to his native town, where he again became interested in the landscapes of the Vallés and the Mediterranean, al... Read full biography
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