1843 Vienna - 1920 Berlin. Known for: Landscape and architectural painting.
Luise Begas-Parmentier was a landscape and architectural painter. She was a pupil of the landscape painter Emil Jakob Schindler and the etcher W. Unger. In 1877 she married the painter Adalbert...
Read full biography Luise Begas-Parmentier was a landscape and architectural painter. She was a pupil of the landscape painter Emil Jakob Schindler and the etcher W. Unger. In 1877 she married the painter Adalbert Begas, afterwards living in Berlin. Her study trips led her to Sicily and Constantinople, as well as to...
Read full biography Luise Begas-Parmentier was a landscape and architectural painter. She was a pupil of the landscape painter Emil Jakob Schindler and the etcher W. Unger. In 1877 she married the painter Adalbert Begas, afterwards living in Berlin. Her study trips led her to Sicily and Constantinople, as well as to the Baltic Sea and the Spreewald. She was particularly fond of depicting Venice and southern Italian landscapes.(Cf. Heinrich Fuchs, Die österreichischen Maler des 19. Jahrhunderts, Vol. 1, p.31.)...
Read full biography Luise Begas-Parmentier was a landscape and architectural painter. She was a pupil of the landscape painter Emil Jakob Schindler and the etcher W. Unger. In 1877 she married the painter Adalbert Begas, afterwards living in Berlin. Her study trips led her to Sicily and Constantinople, as well as to the Baltic Sea and the Spreewald. She was particularly fond of depicting Venice and southern Italian landscapes.(Cf. Heinrich Fuchs, Die österreichischen Maler des 19. Jahrhunderts, Vol. 1, p.31.) Compare: Friedrich von Boetticher, Malerwerke des 19. Jahrhunderts, Hofheim / Taunus 1979, Vol. I, 1, p.75, no. 25 and 47.
Luise Begas-Parmentier was a landscape and architectural painter. She was a pupil of the landscape painter Emil Jakob Schindler and the etcher W. Unger. In 1877 she married the painter Adalbert Begas, afterwards living in Berlin. Her study trips led her to Sicily and Constantinople, as well as to the Baltic Sea and the Spreewald. She was particularly fond of depicting Venice and southern Italian landscapes.(Cf. Heinrich Fuchs, Die österreichischen Maler des 19. Jahrhunderts, Vol. 1, p.31.) Compare: Friedrich von Boetticher, Malerwerke des 19. Jahrhunderts, Hofheim / Taunus 1979, Vol. I, 1, p.75, no. 25 and 47.