1761 Grasse - 1837 Paris. Known for: Genre painting, collaboration with Jean-Honoré Fragonard.
Marguerite Gérard, born in 1761 in Grasse, France, was a genre painter known for her collaboration with Jean-Honoré Fragonard. She developed a fine and precise painting style influenced by artists...
Read full biography Marguerite Gérard, born in 1761 in Grasse, France, was a genre painter known for her collaboration with Jean-Honoré Fragonard. She developed a fine and precise painting style influenced by artists from the Dutch Golden Age. Gérard focused on domestic and intimate scenes, often depicting themes of...
Read full biography Marguerite Gérard, born in 1761 in Grasse, France, was a genre painter known for her collaboration with Jean-Honoré Fragonard. She developed a fine and precise painting style influenced by artists from the Dutch Golden Age. Gérard focused on domestic and intimate scenes, often depicting themes of family and fidelity. She gained a large clientele through her portraits and prints, despite not being a member of the Academy. Her work during the Empire period reflected historical and geographical...
Read full biography Marguerite Gérard, born in 1761 in Grasse, France, was a genre painter known for her collaboration with Jean-Honoré Fragonard. She developed a fine and precise painting style influenced by artists from the Dutch Golden Age. Gérard focused on domestic and intimate scenes, often depicting themes of family and fidelity. She gained a large clientele through her portraits and prints, despite not being a member of the Academy. Her work during the Empire period reflected historical and geographical themes, with a shift towards a more sober and knowledgeable style.
Marguerite Gérard, born in 1761 in Grasse, France, was a genre painter known for her collaboration with Jean-Honoré Fragonard. She developed a fine and precise painting style influenced by artists from the Dutch Golden Age. Gérard focused on domestic and intimate scenes, often depicting themes of family and fidelity. She gained a large clientele through her portraits and prints, despite not being a member of the Academy. Her work during the Empire period reflected historical and geographical themes, with a shift towards a more sober and knowledgeable style.