Following is text from an essay by C.J. Bulliet in a 1931 publication of the Art Institute of Chicago, Year File Archives, titled The Art of Martin Baer, George Baer. THE BAER BROTHERS IN THE... Read full biography
Following is text from an essay by C.J. Bulliet in a 1931 publication of the Art Institute of Chicago, Year File Archives, titled The Art of Martin Baer, George Baer. THE BAER BROTHERS IN THE INTERNATIONAL EYE . BY C. J. BULLIET . EQUALLY AT HOME in Munich, Paris, North Africa, and their native... Read full biography
Following is text from an essay by C.J. Bulliet in a 1931 publication of the Art Institute of Chicago, Year File Archives, titled The Art of Martin Baer, George Baer. THE BAER BROTHERS IN THE INTERNATIONAL EYE . BY C. J. BULLIET . EQUALLY AT HOME in Munich, Paris, North Africa, and their native Chicago, Martin and George Baer have attained an international outlook and ease in painting, difficult apparently, for our American artists to achieve. Paris is the mighty maelstrom toward which the... Read full biography
Following is text from an essay by C.J. Bulliet in a 1931 publication of the Art Institute of Chicago, Year File Archives, titled The Art of Martin Baer, George Baer. THE BAER BROTHERS IN THE INTERNATIONAL EYE . BY C. J. BULLIET . EQUALLY AT HOME in Munich, Paris, North Africa, and their native Chicago, Martin and George Baer have attained an international outlook and ease in painting, difficult apparently, for our American artists to achieve. Paris is the mighty maelstrom toward which the artists of all the world have gravitated for the past century. The Spaniard, Picasso, becomes as much a Parisian as the Frenchman Matisse, and so does the Italian, Modigliani, and the Dutchman, Van Gogh. The English do not readily assimilate, nor do... Read full biography
Following is text from an essay by C.J. Bulliet in a 1931 publication of the Art Institute of Chicago, Year File Archives, titled The Art of Martin Baer, George Baer. THE BAER BROTHERS IN THE INTERNATIONAL EYE . BY C. J. BULLIET . EQUALLY AT HOME in Munich, Paris, North Africa, and their native Chicago, Martin and George Baer have attained an international outlook and ease in painting, difficult apparently, for our American artists to achieve. Paris is the mighty maelstrom toward which the artists of all the world have gravitated for the past century. The Spaniard, Picasso, becomes as much a Parisian as the Frenchman Matisse, and so does the Italian, Modigliani, and the Dutchman, Van Gogh. The English do not readily assimilate, nor do Americans for instance, Whistler and Sargent. They participate without becoming integrally a part.... Read full biography
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