Following is text from an exhibition catalogue for the MADI Exhibition, 1996, Museo Nacional Centro de Arte Reina Sofía, Madrid:. "Martin Blaszko, The Equable?". Written by María Lluïsa Borràs. This... Read full biography
Following is text from an exhibition catalogue for the MADI Exhibition, 1996, Museo Nacional Centro de Arte Reina Sofía, Madrid:. "Martin Blaszko, The Equable?". Written by María Lluïsa Borràs. This artist whose work and career compete in balance, influence and interest, was a member of the MADI*... Read full biography
Following is text from an exhibition catalogue for the MADI Exhibition, 1996, Museo Nacional Centro de Arte Reina Sofía, Madrid:. "Martin Blaszko, The Equable?". Written by María Lluïsa Borràs. This artist whose work and career compete in balance, influence and interest, was a member of the MADI* movement almost from the start. "In 1945, I met Carmelo Arden Quin, the founder of the MADI group. The clarity, the coldness and the strict execution of his work made a deep impression on me. Being an... Read full biography
Following is text from an exhibition catalogue for the MADI Exhibition, 1996, Museo Nacional Centro de Arte Reina Sofía, Madrid:. "Martin Blaszko, The Equable?". Written by María Lluïsa Borràs. This artist whose work and career compete in balance, influence and interest, was a member of the MADI* movement almost from the start. "In 1945, I met Carmelo Arden Quin, the founder of the MADI group. The clarity, the coldness and the strict execution of his work made a deep impression on me. Being an effusive, fidgety, highly-strung and impatient sort of person, I needed that lesson in art to reach a sort of balance; after that I began working with him".?. Originally from Berlin, Blaszko emigrated with his family to Poland in 1933, fleeing from... Read full biography
Following is text from an exhibition catalogue for the MADI Exhibition, 1996, Museo Nacional Centro de Arte Reina Sofía, Madrid:. "Martin Blaszko, The Equable?". Written by María Lluïsa Borràs. This artist whose work and career compete in balance, influence and interest, was a member of the MADI* movement almost from the start. "In 1945, I met Carmelo Arden Quin, the founder of the MADI group. The clarity, the coldness and the strict execution of his work made a deep impression on me. Being an effusive, fidgety, highly-strung and impatient sort of person, I needed that lesson in art to reach a sort of balance; after that I began working with him".?. Originally from Berlin, Blaszko emigrated with his family to Poland in 1933, fleeing from the Nazis six years later to Buenos Aires, where he settled. There he has played an extremely important part in the revitalizati... Read full biography
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