Born 1977. Known for: Sculpture.
After studying sculpture at Loughborough University, Michael went on to study stone masonry and gained a job as a stone carver and mason at Lincoln Cathedral. Michael also uses references from...
Read full biography After studying sculpture at Loughborough University, Michael went on to study stone masonry and gained a job as a stone carver and mason at Lincoln Cathedral. Michael also uses references from natural forms such as seedpods, shells fossils and plant buds. The idea that a form develops and grows...
Read full biography After studying sculpture at Loughborough University, Michael went on to study stone masonry and gained a job as a stone carver and mason at Lincoln Cathedral. Michael also uses references from natural forms such as seedpods, shells fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount in his thought process. He unbalances the original and juxtaposing taut polished geometric forms against roughly textured...
Read full biography After studying sculpture at Loughborough University, Michael went on to study stone masonry and gained a job as a stone carver and mason at Lincoln Cathedral. Michael also uses references from natural forms such as seedpods, shells fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount in his thought process. He unbalances the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within.
After studying sculpture at Loughborough University, Michael went on to study stone masonry and gained a job as a stone carver and mason at Lincoln Cathedral. Michael also uses references from natural forms such as seedpods, shells fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount in his thought process. He unbalances the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within.