Michael Zelehoski creates flat, abstract compositions from found, three-dimensional objects. By disassembling and inlaying this material into a phenolic plywood background, Zelehoski at once... Read full biography
Michael Zelehoski creates flat, abstract compositions from found, three-dimensional objects. By disassembling and inlaying this material into a phenolic plywood background, Zelehoski at once preserves the integrity of the original object and reinvigorates its aesthetic significance. In all of... Read full biography
Michael Zelehoski creates flat, abstract compositions from found, three-dimensional objects. By disassembling and inlaying this material into a phenolic plywood background, Zelehoski at once preserves the integrity of the original object and reinvigorates its aesthetic significance. In all of Zelehoski’s work, there is an Escher-esque quality in the impossibility of their dimensions; real objects exist in an artificial space. By amalgamating two and three-dimensional space in this manner, the... Read full biography
Michael Zelehoski creates flat, abstract compositions from found, three-dimensional objects. By disassembling and inlaying this material into a phenolic plywood background, Zelehoski at once preserves the integrity of the original object and reinvigorates its aesthetic significance. In all of Zelehoski’s work, there is an Escher-esque quality in the impossibility of their dimensions; real objects exist in an artificial space. By amalgamating two and three-dimensional space in this manner, the artist’s found material appears to jump simultaneously into and out from the picture plane without conforming to the laws of physics that govern our three-dimensional world. Zelehoski’s work multiplies the otherwise singular reality of objects –... Read full biography
Michael Zelehoski creates flat, abstract compositions from found, three-dimensional objects. By disassembling and inlaying this material into a phenolic plywood background, Zelehoski at once preserves the integrity of the original object and reinvigorates its aesthetic significance. In all of Zelehoski’s work, there is an Escher-esque quality in the impossibility of their dimensions; real objects exist in an artificial space. By amalgamating two and three-dimensional space in this manner, the artist’s found material appears to jump simultaneously into and out from the picture plane without conforming to the laws of physics that govern our three-dimensional world. Zelehoski’s work multiplies the otherwise singular reality of objects – spinning together inextricably the noumenal and phenomenal, and demonstrating the latter as something with the potential for infinite variations.... Read full biography
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