One of the most significant artists working in Verona in the 16th century, Paolo Farinati was active as a painter, printmaker, architect and sculptor. He was the son and pupil of a painter and is... Read full biography
One of the most significant artists working in Verona in the 16th century, Paolo Farinati was active as a painter, printmaker, architect and sculptor. He was the son and pupil of a painter and is also thought to have studied with Niccolò Giolfino. Although few documents survive for his life, a... Read full biography
One of the most significant artists working in Verona in the 16th century, Paolo Farinati was active as a painter, printmaker, architect and sculptor. He was the son and pupil of a painter and is also thought to have studied with Niccolò Giolfino. Although few documents survive for his life, a chronology of his long career is relatively simple to establish, since many of his surviving paintings are dated and also because, from 1573 until his death, he recorded his commissions in an account book... Read full biography
One of the most significant artists working in Verona in the 16th century, Paolo Farinati was active as a painter, printmaker, architect and sculptor. He was the son and pupil of a painter and is also thought to have studied with Niccolò Giolfino. Although few documents survive for his life, a chronology of his long career is relatively simple to establish, since many of his surviving paintings are dated and also because, from 1573 until his death, he recorded his commissions in an account book that survives today. His first documented work is an altarpiece of Saint Martin and the Beggar of 1552, commissioned by Cardinal Ercole Gonzaga for the cathedral in Mantua. (At the same time, the Cardinal also commissioned paintings for the... Read full biography
One of the most significant artists working in Verona in the 16th century, Paolo Farinati was active as a painter, printmaker, architect and sculptor. He was the son and pupil of a painter and is also thought to have studied with Niccolò Giolfino. Although few documents survive for his life, a chronology of his long career is relatively simple to establish, since many of his surviving paintings are dated and also because, from 1573 until his death, he recorded his commissions in an account book that survives today. His first documented work is an altarpiece of Saint Martin and the Beggar of 1552, commissioned by Cardinal Ercole Gonzaga for the cathedral in Mantua. (At the same time, the Cardinal also commissioned paintings for the cathedral from a number of other leading painters from Verona, including Paolo Veronese, Domenico Brusasorci and Battista Agnolo del Moro.) Bet... Read full biography
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