Born in 1955 in Augusta Georgia, Richard Zane Smith is a contemporary potter whose pots consist of small hand rolled coils of natural clays inspired by prehistoric corrugated pottery of the... Read full biography
Born in 1955 in Augusta Georgia, Richard Zane Smith is a contemporary potter whose pots consist of small hand rolled coils of natural clays inspired by prehistoric corrugated pottery of the Southwest. Artist Statement:. "My art education began as a child at home in Missouri. In the evenings all... Read full biography
Born in 1955 in Augusta Georgia, Richard Zane Smith is a contemporary potter whose pots consist of small hand rolled coils of natural clays inspired by prehistoric corrugated pottery of the Southwest. Artist Statement:. "My art education began as a child at home in Missouri. In the evenings all five of us kids would gather round listening and drawing quietly while Dad or Mom would read wonderful books to us. Clay excited me from high school and all through my art school years though I enjoyed... Read full biography
Born in 1955 in Augusta Georgia, Richard Zane Smith is a contemporary potter whose pots consist of small hand rolled coils of natural clays inspired by prehistoric corrugated pottery of the Southwest. Artist Statement:. "My art education began as a child at home in Missouri. In the evenings all five of us kids would gather round listening and drawing quietly while Dad or Mom would read wonderful books to us. Clay excited me from high school and all through my art school years though I enjoyed working with all kinds of natural materials, from leather to stone to wood. During these years, investigating my own native (Wyandot) roots became something of an obsession with me. In 1978, I worked as an art instructor at a Navajo mission school in... Read full biography
Born in 1955 in Augusta Georgia, Richard Zane Smith is a contemporary potter whose pots consist of small hand rolled coils of natural clays inspired by prehistoric corrugated pottery of the Southwest. Artist Statement:. "My art education began as a child at home in Missouri. In the evenings all five of us kids would gather round listening and drawing quietly while Dad or Mom would read wonderful books to us. Clay excited me from high school and all through my art school years though I enjoyed working with all kinds of natural materials, from leather to stone to wood. During these years, investigating my own native (Wyandot) roots became something of an obsession with me. In 1978, I worked as an art instructor at a Navajo mission school in Arizona. It was there that I was first exposed to native clays, and Anasazi pot sherds. Having a rich yet mixed-blooded heritage has been dif... Read full biography
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