c.1627 - 1692. Known for: Landscape painting, prints, drawing.
Roelant Roghman, a landscape artist, was a friend of renowned painters like Rembrandt, Gerbrand van Eeckhout, and Jan Lievens. He was stylistically close to Philips Koninck in his drawing practice...
Read full biography Roelant Roghman, a landscape artist, was a friend of renowned painters like Rembrandt, Gerbrand van Eeckhout, and Jan Lievens. He was stylistically close to Philips Koninck in his drawing practice and was a prolific landscape engraver. Roghman's paintings are rare, often signed with the monogram...
Read full biography Roelant Roghman, a landscape artist, was a friend of renowned painters like Rembrandt, Gerbrand van Eeckhout, and Jan Lievens. He was stylistically close to Philips Koninck in his drawing practice and was a prolific landscape engraver. Roghman's paintings are rare, often signed with the monogram "R.," leading to some attributions to Rembrandt. He frequented Rembrandt's studio in the 1650s and was not a student but a friend of the master, as noted by Arnold Houbraken in his artist biographies...
Read full biography Roelant Roghman, a landscape artist, was a friend of renowned painters like Rembrandt, Gerbrand van Eeckhout, and Jan Lievens. He was stylistically close to Philips Koninck in his drawing practice and was a prolific landscape engraver. Roghman's paintings are rare, often signed with the monogram "R.," leading to some attributions to Rembrandt. He frequented Rembrandt's studio in the 1650s and was not a student but a friend of the master, as noted by Arnold Houbraken in his artist biographies (1718-1721).Arnold Houbraken's artist biographies (1718-1721)
Roelant Roghman, a landscape artist, was a friend of renowned painters like Rembrandt, Gerbrand van Eeckhout, and Jan Lievens. He was stylistically close to Philips Koninck in his drawing practice and was a prolific landscape engraver. Roghman's paintings are rare, often signed with the monogram "R.," leading to some attributions to Rembrandt. He frequented Rembrandt's studio in the 1650s and was not a student but a friend of the master, as noted by Arnold Houbraken in his artist biographies (1718-1721).Arnold Houbraken's artist biographies (1718-1721)