The following biographical information has been provided by Giuliano Agostinetti who knew the artist in Paris from 1971 to 1977:. Vassilis Sperantsas lived in Paris, France from 1971 to 1977 and... Read full biography
The following biographical information has been provided by Giuliano Agostinetti who knew the artist in Paris from 1971 to 1977:. Vassilis Sperantsas lived in Paris, France from 1971 to 1977 and probably longer. He was an assistent in lithography at the Beaux-Arts Institute, and used to print his... Read full biography
The following biographical information has been provided by Giuliano Agostinetti who knew the artist in Paris from 1971 to 1977:. Vassilis Sperantsas lived in Paris, France from 1971 to 1977 and probably longer. He was an assistent in lithography at the Beaux-Arts Institute, and used to print his lithos in the Color Lavis technique. As he worked on lithographic stones, he was only able to create small editions of 5 to 15 prints because colors would become too weak otherwise. He was a kind of a... Read full biography
The following biographical information has been provided by Giuliano Agostinetti who knew the artist in Paris from 1971 to 1977:. Vassilis Sperantsas lived in Paris, France from 1971 to 1977 and probably longer. He was an assistent in lithography at the Beaux-Arts Institute, and used to print his lithos in the Color Lavis technique. As he worked on lithographic stones, he was only able to create small editions of 5 to 15 prints because colors would become too weak otherwise. He was a kind of a "Greek Picasso" very oriented to the classical female figures in delicate and poetic colors. Bio-photographic note. I remember that his eyes had different colors, one was light blue, the other more toward brown.... Read full biography
The following biographical information has been provided by Giuliano Agostinetti who knew the artist in Paris from 1971 to 1977:. Vassilis Sperantsas lived in Paris, France from 1971 to 1977 and probably longer. He was an assistent in lithography at the Beaux-Arts Institute, and used to print his lithos in the Color Lavis technique. As he worked on lithographic stones, he was only able to create small editions of 5 to 15 prints because colors would become too weak otherwise. He was a kind of a "Greek Picasso" very oriented to the classical female figures in delicate and poetic colors. Bio-photographic note. I remember that his eyes had different colors, one was light blue, the other more toward brown.... Read full biography
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