Domenico Bartolomeo Ubaldini il Puligo PRICE CHARTS
1492 - 1527. Known for: Painting.
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a... Read full biography
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso... Read full biography
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso (1494-1540). It is noteworthy that numerous, perhaps even the majority, of his Madonna paintings exhibit this strong sfumato effect, which was intended to convey a certain aloofness to these saintly... Read full biography
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso (1494-1540). It is noteworthy that numerous, perhaps even the majority, of his Madonna paintings exhibit this strong sfumato effect, which was intended to convey a certain aloofness to these saintly figures, whereas the painter definitely preferred a hard contour style in secular portraits.
The painter initially studied under Ridolfo Ghirlandaio (1483-1561) and then worked as an assistant to Andrea del Sarto (1486-1530/31), with whom he was a close friend. The emphasis on color is a result of the Mannerist influence of Jacopo da Carucci Pontormo (1494-1556/57) and Fiorentino Rosso (1494-1540). It is noteworthy that numerous, perhaps even the majority, of his Madonna paintings exhibit this strong sfumato effect, which was intended to convey a certain aloofness to these saintly figures, whereas the painter definitely preferred a hard contour style in secular portraits.
Domenico Bartolomeo Ubaldini il Puligo - Charts
Average Price Per Year
Interactive Chart Available with Membership
askART data for Domenico Bartolomeo Ubaldini il Puligo covers 15 years of auction performance.
Please sign in or subscribe to access detailed average price data, interactive charts, and comprehensive auction performance analysis for Domenico Bartolomeo Ubaldini il Puligo.