Mieczyslaw Wisniewski PRICE CHARTS
1925 - 2006. Known for: Figural painting, easel painting, monumental painting, creating objects and spatial forms, interior design, and architecture..
Mieczyslaw Wisniewski gained his experience from structural art focused on the issues of space built from overlapping planes. The relief obtained as a result allowed for appropriate manipulation of... Read full biography
Mieczyslaw Wisniewski gained his experience from structural art focused on the issues of space built from overlapping planes. The relief obtained as a result allowed for appropriate manipulation of the light flowing from outside and giving the impression of movement. The presented "Concrete... Read full biography
Mieczyslaw Wisniewski gained his experience from structural art focused on the issues of space built from overlapping planes. The relief obtained as a result allowed for appropriate manipulation of the light flowing from outside and giving the impression of movement. The presented "Concrete Painting I" is part of the last stage of his work, bringing more economical compositions, limited to simple systems of lines and points that exceed the rules of geometry. Within the composition, a simple... Read full biography
Mieczyslaw Wisniewski gained his experience from structural art focused on the issues of space built from overlapping planes. The relief obtained as a result allowed for appropriate manipulation of the light flowing from outside and giving the impression of movement. The presented "Concrete Painting I" is part of the last stage of his work, bringing more economical compositions, limited to simple systems of lines and points that exceed the rules of geometry. Within the composition, a simple rectangular figure is superimposed, which is made of a different material. It allows you to obtain appropriate lighting, which, by moving over a surface full of concave and convex, creates zones of active reflections and shadows in the image. As the... Read full biography
Mieczyslaw Wisniewski gained his experience from structural art focused on the issues of space built from overlapping planes. The relief obtained as a result allowed for appropriate manipulation of the light flowing from outside and giving the impression of movement. The presented "Concrete Painting I" is part of the last stage of his work, bringing more economical compositions, limited to simple systems of lines and points that exceed the rules of geometry. Within the composition, a simple rectangular figure is superimposed, which is made of a different material. It allows you to obtain appropriate lighting, which, by moving over a surface full of concave and convex, creates zones of active reflections and shadows in the image. As the viewer's place and point of view change, the chiaroscuro areas change their position. In the next step, the oppositions of light and shadow create... Read full biography
