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Adriaen Hanneman BIOGRAPHY
1601 The Hague - 1671. Known for: Portrait painting.
Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish... Read full biography
Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the... Read full biography
Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the English nobility and the Caroline court, and in 1630 he married an English girl, Elizabeth Wilson. The heavy influence of Van Dyck on his work from this period suggests that he was probably involved in... Read full biography
Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the English nobility and the Caroline court, and in 1630 he married an English girl, Elizabeth Wilson. The heavy influence of Van Dyck on his work from this period suggests that he was probably involved in that master's studio in Blackfriars. Hanneman remained in England for over a decade. His name appears in the Lord Mayor's survey of foreigners resident in London in 1635, living in Holborn, and he only returned to The Hague between 1638 and 1640, just... Read full biography
Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the English nobility and the Caroline court, and in 1630 he married an English girl, Elizabeth Wilson. The heavy influence of Van Dyck on his work from this period suggests that he was probably involved in that master's studio in Blackfriars. Hanneman remained in England for over a decade. His name appears in the Lord Mayor's survey of foreigners resident in London in 1635, living in Holborn, and he only returned to The Hague between 1638 and 1640, just before the outbreak of the Civil War. Despite his extended stay very few of Hanneman's English portraits survive. ... Read full biography
Artist Biography
Biography page for Adriaen Hanneman ((1601 - 1671)), known for Portrait painting. Showing 1 biographical entries and 0 sample artworks.
Adriaen Hanneman - Artist Info
About Adriaen Hanneman
Biography from Sotheby's London, New Bond Street
Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the English nobility and the Caroline court, and in 1630 he married an English girl, Elizabeth Wilson.
The heavy influence of Van Dyck on his work from this period suggests that he was probably involved in that master's studio in Blackfriars. Hanneman remained in England for over a decade. His name appears in the Lord Mayor's survey of foreigners resident in London in 1635, living in Holborn, and he only returned to The Hague between 1638 and 1640, just before the outbreak of the Civil War.
Despite his extended stay very few of Hanneman's English portraits survive. On his return to Holland Hanneman's elegant and accomplished style, which he had learned in England, proved immensely popular among Dutch patrons, and his success did much to spread the influence of Van Dyck's style throughout the Netherlands.
In 1640 he was elected to the painters' guild in The Hague and married his second wife, Maria, the daughter of Jan van Ravesteyn. From the late 1640s onwards Hanneman's English connections proved particularly useful as increasing numbers of dispossessed and exiled Royalists began to settle in the Netherlands after the establishment of the Commonwealth in England.
He painted many of the key Royalist figures, including Charles, Prince of Wales, later King Charles II (now lost), his brother Henry, Duke of Gloucester (National Gallery of Art, Washington) and Edward Hyde, 1st Earl of Clarendon (Private Collection). These portraits retain much of the influence of Van Dyck, but have a distinctive character of their own and display a masterful characterization that is evident in all of the artist's best work. Hanneman also found favour at the Dutch court in the 1650s and painted many portraits of the Royal Family, including William of Orange, later the Stadholder King and William III of England (1650-1702), when a child holding an orange with a small dog (Rijksmuseum, Amsterdam).