In 1969 Enrique Guzman moved from Guadalajara to Mexico City and entered La Esmeralda, where he suffered from maladjustment; Unable to cope with that professional siege at school, he decided not to finish the degree.

However, he continued painting and at the beginning of the 1970s he incorporated certain figurative iconographic elements into his work, and also made use of a novel appropriation of Magrittean surrealism, manifesting his rejection of reason, as well as his confidence against subjectivity.

At that stage his individual language reached solidity and a growing acceptance by specialists and public. In 1986 he decided to end his life. "The orientation of the career of Enrique Guzmán is from 1980, diff...