In an internal architecture inherited from the Italian Renaissance, Felice Schiavoni resumed inexhaustible iconography of Raphael painting the Fornarina. The couple of the Italian master and his muse is reminiscent from the ancient imagery, formed by the painter Apelles and Campaspe model. The delicacy of the bill, as the composition is reminiscent of the work on the same topic, conducted by Ingres twenty years ago. Simply, fashionable troubadour in which falls the work of French master, has failed to the Italian School. The latter, whose Classicism lasts longer sees its classic slip immediately painters to Romanticism from the 1830s Felice Schiavoni is part of this movement and adopt a style all at the turn of this stylistic transition...