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Robert Biggs BIOGRAPHY
1920 - 1984. Known for: Precisionist still life, abstraction.
A precisionist still life painter, Robert Biggs began his career as a modernist in St. Louis. He studied at the St. Louis School of Fine Art on the G.I. Bill with Philip Guston and Max Beckmann. Once... Read full biography
A precisionist still life painter, Robert Biggs began his career as a modernist in St. Louis. He studied at the St. Louis School of Fine Art on the G.I. Bill with Philip Guston and Max Beckmann. Once in a drunken rage, he burned 150 of his paintings and then developed a new style combining... Read full biography
A precisionist still life painter, Robert Biggs began his career as a modernist in St. Louis. He studied at the St. Louis School of Fine Art on the G.I. Bill with Philip Guston and Max Beckmann. Once in a drunken rage, he burned 150 of his paintings and then developed a new style combining regionalism with precisionist accuracy. Source: Treadway Toomey Galleries
A precisionist still life painter, Robert Biggs began his career as a modernist in St. Louis. He studied at the St. Louis School of Fine Art on the G.I. Bill with Philip Guston and Max Beckmann. Once in a drunken rage, he burned 150 of his paintings and then developed a new style combining regionalism with precisionist accuracy. Source: Treadway Toomey Galleries
A precisionist still life painter, Robert Biggs began his career as a modernist in St. Louis. He studied at the St. Louis School of Fine Art on the G.I. Bill with Philip Guston and Max Beckmann. Once in a drunken rage, he burned 150 of his paintings and then developed a new style combining regionalism with precisionist accuracy. Source: Treadway Toomey Galleries
Artist Biography
Biography page for Robert Biggs ((1920 - 1984)), known for Precisionist still life, abstraction. Showing 1 biographical entries and 0 sample artworks.
Robert Biggs - Artist Info
About Robert Biggs
Biography
A precisionist still life painter, Robert Biggs began his career as a modernist in St. Louis. He studied at the St. Louis School of Fine Art on the G.I. Bill with Philip Guston and Max Beckmann. Once in a drunken rage, he burned 150 of his paintings and then developed a new style combining regionalism with precisionist accuracy.
Source: Treadway Toomey Galleries