A native of McKinney, Texas, Scott Rogers became a full time professional sculptor in the mid 1990s. In his youth, he became a boxer, winning a Golden Gloves championship. He earned a degree in finance from Brigham Young University and then worked in insurance and the oil and gas industry.

He developed an interest in sculpture and took lessons from his uncle, Grant Speed. He also took workshops from Fritz White. In 1991, he began marketing his own western figure and genre pieces through galleries.

In 1997, he moved to Murray, Utah to be near his daughter who is learning to be a sculptor.

Scott Rogers fell in love with the art of sculpture when he bought his first bronze as a youth from his uncle. He would look at this sculpture for hours, and within six months he realized that he "could do that" and decided to become a sculptor himself.

Having made the decision to sculpt, Scott became a consummate pupil and got his training from other sculptors. He sought and continues to seek the counsel of masters such as Fritz White, Herb Mignery, and Ken Riley. His goal is to one day join these artists as a member of the Cowboy Artists of America.

Scott has been fascinated with the Old West his entire life. "I believe the west was about men - wild men, reckless men, men who had courage to work for something better, men who believed in a future, men who took a chance to be a part of something bigger than themselves. I find great pleasure in doing these men justice by creating a fair portrayal of their characters."

In his sculptures, Rogers tries to create a moment in which the viewer has no choice but to play an active part in the piece by putting himself in the scene as a character depicted or as a first hand witness. "I sculpt feelings and not reality. In fact, to me the words sculpture and feelings are synonymous."

Artist Statement:
It seems like only yesterday that I bought a bronze from my uncle, Grant Speed. I took it home and looked at it for hours. In fact, that evening I took a sleeping bag out of the closet and lay by the piece to turn it in the moonlight. My love affair with bronze had begun. Six months later (in October of '90) I came home from work, looked at that bronze and said, "I can do that".

Having made the decision to sculpt, I became the consummate pupil. I find myself in a constant state of research. I sought and continue to seek counsel at the hands of master teachers (i.e. studied with Fritz White CA, Stanley Bleifeld, Herb Mignery CA, Mehl Lawson CA and Grant Speed CA).

My desire is to use art as a vehicle to inspire mankind to see the beauty of life. Artists' are prone to leave emotional fingerprints all over their work; hence, what you'll be seeing, in a way are self-portraits. I love how shape, line and form communicate. Every line has a spirit and speaks volumes. Put a lump of clay in my hands and a short while later you'll know exactly how I feel and physically see my soul. I am finding that the key to life is to develop eyes to see what is really 'there'.

I love what I do. The feelings I portray about the 'Old West' I've had all my life. I remember fondly the hours spent as a youth reading of renegades, rebels, rogues, outlaws, wild men and horses, ferocity, passion, power, cunning, independence, honor, loneliness, fear, rage, courage and freedom. These words worked their way into my soul and now find expression through my fingers in clay. The 'West' was about men and women who had courage, who were part of something bigger than themselves. I find great pleasure in doing these people justice by creating a fair portrayal of their characters.

As you view my work, take the time to step back a 100 years and find the spirit of the old west. Get in touch with that spirit and you'll find it exists today as much as it ever did.

When beginning a piece, the first thing I do is isolate an emotion I know intimately. An emotion that pulls at my heart, one that makes me hold my breath, an emotion so strong it becomes overwhelming and is physically draining to experience. If the emotion doesn't command my rapt attention it is quickly dismissed. In creating "a moment" I do it in such a way that you (the viewer) have no choice but to play an active part and put yourself in the scene as the character depicted or as a first hand witness.

I sculpt feelings and not reality. In fact, to me the words sculpture and feelings are synonymous. I love it when someone says, after viewing one of my pieces, "I can feel the bullet hitting him"; "I feel like I'm on the back of the bucking horse" or "I can hear the roar of the stampede".

I know art uplifts the spirit, it makes one want to be better, to feel good about themselves and their fellow man, to reach out for that which is good in life. It's my wish that you experience some of what I feel through my art."