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Wolfgang Laib BIOGRAPHY
Born 1950. Known for: Painting and sculpture.
"For Wolfgang Laib, the pollen, like the milk, beeswax, rice, and marble, is a material with properties that extend beyond his individual powers of invention; and he accepts this, playing the role of... Read full biography
"For Wolfgang Laib, the pollen, like the milk, beeswax, rice, and marble, is a material with properties that extend beyond his individual powers of invention; and he accepts this, playing the role of mediator rather than creator, combining organic materials that have invisible energies - perhaps... Read full biography
"For Wolfgang Laib, the pollen, like the milk, beeswax, rice, and marble, is a material with properties that extend beyond his individual powers of invention; and he accepts this, playing the role of mediator rather than creator, combining organic materials that have invisible energies - perhaps even healing powers." . Clare Farrow, Parkett no. 39, 1994.
"For Wolfgang Laib, the pollen, like the milk, beeswax, rice, and marble, is a material with properties that extend beyond his individual powers of invention; and he accepts this, playing the role of mediator rather than creator, combining organic materials that have invisible energies - perhaps even healing powers." . Clare Farrow, Parkett no. 39, 1994.
"For Wolfgang Laib, the pollen, like the milk, beeswax, rice, and marble, is a material with properties that extend beyond his individual powers of invention; and he accepts this, playing the role of mediator rather than creator, combining organic materials that have invisible energies - perhaps even healing powers." . Clare Farrow, Parkett no. 39, 1994.
Artist Biography
Biography page for Wolfgang Laib ((Born 1950)), known for Painting and sculpture. Showing 1 biographical entries and 0 sample artworks.
Wolfgang Laib - Artist Info
About Wolfgang Laib
Biography
"For Wolfgang Laib, the pollen, like the milk, beeswax, rice, and marble, is a material with properties that extend beyond his individual powers of invention; and he accepts this, playing the role of mediator rather than creator, combining organic materials that have invisible energies - perhaps even healing powers."
Clare Farrow, Parkett no. 39, 1994.