Reviewing Moralis's work in 1992, Athens National Gallery Director M. Lambraki-Plaka noted that "in his recent paintings, Moralis seeks a geometric ideogram for love."1 This poignant and poetic remark perfectly suits the artist's wonderful Eroticon, which was included in his 1992 one-man show in Athens.

Prefacing the exhibition catalogue, gallery owner Peggy Zoumboulaki noted: "I first saw these works at the end of the summer of 1991 on the island of Aegina, at Moralis's sun-drenched seaside house designed by his friend, the architect Aris Konstandinidis. Seeing these works, which overflow with eroticism and love for the female body, one feels that nothing is superficial, that the artist has lived every ...