Aaron Douglas, who was born on May 26, 1899 in Topeka, Kansas, is the American artist perhaps most closely associated with the Harlem Renaissance, and for synthesizing formal and symbolic elements of... Read full biography
Aaron Douglas, who was born on May 26, 1899 in Topeka, Kansas, is the American artist perhaps most closely associated with the Harlem Renaissance, and for synthesizing formal and symbolic elements of African art with a modern European aesthetic. He studied at the University of Nebraska, from which... Read full biography
Aaron Douglas, who was born on May 26, 1899 in Topeka, Kansas, is the American artist perhaps most closely associated with the Harlem Renaissance, and for synthesizing formal and symbolic elements of African art with a modern European aesthetic. He studied at the University of Nebraska, from which he graduated, as well as Columbia University Teachers College. His artistic career began as an illustrator, working in ink drawings. In 1925, attracted by the presence of Alaine Locke, philosopher and... Read full biography
Aaron Douglas, who was born on May 26, 1899 in Topeka, Kansas, is the American artist perhaps most closely associated with the Harlem Renaissance, and for synthesizing formal and symbolic elements of African art with a modern European aesthetic. He studied at the University of Nebraska, from which he graduated, as well as Columbia University Teachers College. His artistic career began as an illustrator, working in ink drawings. In 1925, attracted by the presence of Alaine Locke, philosopher and cultural critic, Douglas moved to Harlem, New York to be part of Lockes' New Negro Movement. This movement expressed African Americans' new pride in their African heritage, manifesting itself in literature, song, dance, and for Douglas, most... Read full biography
Aaron Douglas, who was born on May 26, 1899 in Topeka, Kansas, is the American artist perhaps most closely associated with the Harlem Renaissance, and for synthesizing formal and symbolic elements of African art with a modern European aesthetic. He studied at the University of Nebraska, from which he graduated, as well as Columbia University Teachers College. His artistic career began as an illustrator, working in ink drawings. In 1925, attracted by the presence of Alaine Locke, philosopher and cultural critic, Douglas moved to Harlem, New York to be part of Lockes' New Negro Movement. This movement expressed African Americans' new pride in their African heritage, manifesting itself in literature, song, dance, and for Douglas, most significantly art. Shortly after his arrival in Harlem, Douglas made the acquaintance of German- American portrait artist Wi... Read full biography
Aaron Douglas - Artist Info
About Aaron Douglas: Books
Books & Publications (37)
Publications based on askART research. List may not be comprehensive.
Central to Their Lives: Southern Women Artists in the Johnson Collection
2018
Blackman, Lynne (Editor), The Johnson Collection
245 pages (color)
Aaron Douglas: African American Modernist (Exhibition catalog)
2007
Earle, Susan (Editor)
254 pages (color)
Biographical Directory of Kansas Artists Active Before 1945
2006
Craig, Susan (Compiler)
0 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Collecting African American Art Works on Paper and Canvas
1998
Taha, Halima
270 pages (color)
Black Art and Culture in the 20th Century
1997
Powell, Richard J
256 pages (color)
Aaron Douglas Art, Race, and the Harlem Renaisance
1995
Kirschke, Amy Helene
166 pages
The Harlem Renaissance Hub of African-American Culture, 1920-1930
1995
Watson, Steven
225 pages
African American Art (Exhibition catalog)
1994
San Antonio Museum of Art
67 pages (color)
A History-African-American Artists From 1792 to the Present
1993
Bearden, Romare/Harry Henderson
542 pages (color)
Raiding the Icebox Reflections on Twentieth-Century Culture
1993
Wollen, Peter
222 pages
Black Art/Ancestral Legacy (Exhibition catalog)
1989
Dallas Museum of Fine Art
305 pages (color)
African American Artists 1880-1987 Selections from the Evans-Tibbs Collection
1989
McElroy, Guy C (others)
125 pages (color)
The American Painting Collection of the Sheldon Memorial Art Gallery
1988
Geske, Norman and Karen O. Janovy
376 pages (color)
Whistler to Weidenaar American Prints 1870-1950 (Exhibition catalog)
1987
Johnson, Deborah J
128 pages
Harlem Renaissance Art of Black America (Exhibition catalog)
1987
Studio Museum in Harlem
200 pages (color)
Artists Against War and Fascism Papers/First American Artists' Congress
1986
Baigell, Mathew/Julia Williams
310 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Artists of the American West: Three Volumes A Biographical Dictionary
1985
Dawdy, Doris
1,184 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Painting in the South: 1564-1980 (Exhibition catalog)
1983
Virginia Museum, Richmond
362 pages (color)
Critical Vision/A Historyof Social and Political Art in the U S
1982
Von Blum, Paul
165 pages
Dictionary of American Art
1979
Baigell, Mathew
390 pages
Art: African American
1978
Lewis, Samella
246 pages (color)
Two Centuries of Black American Art (Exhibition catalog)
1976
Driskell, David C
221 pages (color)
Amistad II Afro-American Art (Exhibition catalog)
1975
Driskell, David C
92 pages
Afro-American Artists: A Bio-Bibliographical Directory
1973
Cederholm, Theresa Dickason
348 pages
Black Dimensions in Contemporary American Art
1971
Atkinson, J Edward
127 pages (color)
The Thirties Decade American Artists and Their European Contemporaries (Exhibition catalog)
1971
Porter, Allen/Wm McGonagle
80 pages
American Negro Art
1960
Dover, Cedric
186 pages (color)
Modern Negro Art
1943
Porter, James A
272 pages
American Book Illustrators Bibliographic Checklist of 123 Artists
1938
Bolton, Theodore
290 pages
First American Art Congress 1936
1936
American Art Congress
104 pages
Negro Artists: An Illustrated Review of Their Achievements (Exhibition catalog)
1935
Harmon Foundation
60 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index