Born in Weymouth, Massachusetts, Abbott Fuller Graves was an influential Boston painter known for his floral garden scenes and still lifes. Although much of his work, in keeping with the Boston... Read full biography
Born in Weymouth, Massachusetts, Abbott Fuller Graves was an influential Boston painter known for his floral garden scenes and still lifes. Although much of his work, in keeping with the Boston School style, depicted subject matter in a realistic way, his thick, impasto brush strokes and bright,... Read full biography
Born in Weymouth, Massachusetts, Abbott Fuller Graves was an influential Boston painter known for his floral garden scenes and still lifes. Although much of his work, in keeping with the Boston School style, depicted subject matter in a realistic way, his thick, impasto brush strokes and bright, colorful sun-lit paintings showed his acceptance of Impressionism. In 1884, he went to Paris and Italy, and concentrated on still life painting, often working with his good friend Edmund Tarbell, also a... Read full biography
Born in Weymouth, Massachusetts, Abbott Fuller Graves was an influential Boston painter known for his floral garden scenes and still lifes. Although much of his work, in keeping with the Boston School style, depicted subject matter in a realistic way, his thick, impasto brush strokes and bright, colorful sun-lit paintings showed his acceptance of Impressionism. In 1884, he went to Paris and Italy, and concentrated on still life painting, often working with his good friend Edmund Tarbell, also a Boston artist. Graves and Tarbell roomed together in Europe, where they both studied still-life painting. Returning to Boston in 1885, he became a member of the faculty of the Cowles Art School where fellow-faculty member Childe Hassam, an... Read full biography
Born in Weymouth, Massachusetts, Abbott Fuller Graves was an influential Boston painter known for his floral garden scenes and still lifes. Although much of his work, in keeping with the Boston School style, depicted subject matter in a realistic way, his thick, impasto brush strokes and bright, colorful sun-lit paintings showed his acceptance of Impressionism. In 1884, he went to Paris and Italy, and concentrated on still life painting, often working with his good friend Edmund Tarbell, also a Boston artist. Graves and Tarbell roomed together in Europe, where they both studied still-life painting. Returning to Boston in 1885, he became a member of the faculty of the Cowles Art School where fellow-faculty member Childe Hassam, an impressionist, became an influence on his work. In 1887, Graves returned to Paris where he enrolled at the Academie Julian to study figure paint... Read full biography
Abbott Fuller Graves - Artist Info
About Abbott Fuller Graves: Books
Books & Publications (36)
Publications based on askART research. List may not be comprehensive.
Reflections-Paintings of Florida 1865-1965
2009
Libby, Gary R.
184 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Paintings and Sculpture in the Collection of The National Academy of Design Volume One: 1826-1925
2004
Dearinger, David B.
672 pages (color)
Selections III Brock & Co.
2004
Hankin, Lisa Bush
47 pages (color)
Vose Art Notes: A Guide for Collectors Circles of Influence, A Timeline
2004
Vose, Marcia (editor)
38 pages (color)
Vose Art Notes: A Guide for Collectors Winter 2003, Volume XI
2003
Vose, Marcia Latimore (Editor)
36 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Vose Art Notes: A Guide for Collectors Art and Collecting in America
1999
Jarzombek, NA, Marcia Vose
29 pages (color)
Vose Art Notes: A Guide for Collectors Art and Collecting in America, Part Two
1997
Vose Galleries
35 pages (color)
Art in the American South Works from the Ogden Collection
1996
Delehanty, Randolph
292 pages (color)
Celebrating Florida Works of Art from the Vickers Collection
1995
Libby, Gary R (editor)
144 pages (color)
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
Masterworks of American Impressionism from the Pfeil Collection (Exhibition catalog)
1992
Gerdts, William H
282 pages (color)
American Selections 1850-1950 (Exhibition catalog)
1992
Lublin, Mary
163 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
American Art at the Nineteenth Century Paris Salons
1990
Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface
430 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Paris 1889 American Artists at the Universal Exposition (Exhibition catalog)
1989
Blaugrund, Annette
304 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Domestic Bliss Family Life in American Painting 1840-1910 (Exhibition catalog)
1986
Edwards, Lee M; Jan Seidler Ramirez; Timothy Anglin Burgard
160 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Down Garden Paths The Floral Environment in American Art (Exhibition catalog)
1983
Gerdts, William H
144 pages (color)
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Painters of the Humble Truth American Still Life 1801-1939
1981
Gerdts, William H
292 pages (color)
Edmund C Tarbell and the Boston School of Painting (1889-1980)
1980
Pierce, Patricia Jobe
285 pages (color)
Living New England Artists (reprint 1888 edition)
1977
Robinson, Frank
215 pages
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
Catalogue: Annual Exhibition John H. Vanderpoel Art Association (By Contributors to the Collection) (Exhibition catalog)
1940
Klug, William L (Introductory Essay)
64 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
A History of American Painting Revised Edition, Two Volumes in One